List of Anti-Asian Male Movies

[549] films, arranged chronologically, and counting. Every entry, unless stated otherwise, fails to pass the AMDb Test. All your favorites, cultural landmarks, and major hits are here. Red films are either severely offensive, well-known, or curious entries. Check out the lists for TV shows and video games as well.  


Ghost in the Shell 2017 – Scarjo kills hordes of lineless, grotesque-looking Asian-male criminals (dehumanization, de-indivualization). Again. Just like she did in Lucy. Just like Uma Thurman did in Kill Bill: Vol. 1 before her. Scarjo, like Uma Thurman, has a fetish for beating up Asian men. Who wants a man that gets beat up by the opposite sex? (Also note that the original Ghost in the Shell is Japanese.) Mind you, this is a scene that was used for promotional materials, and sold the movie to audiences. There is also a scene of an Asian man being strangled by one of the geisha-robots.

Get Out 2017

I was on board with this movie, as I totally support its goals, but that was up until the scene with “Hiroki Tanaka” came on screen. It was a particularly disturbing scene as, just like all Western films, it had to shit on Asian men.

The film depicts Asian men as being 1) a perpetual foreigner, done through giving him a Japanese last and first name, as well as giving him a thick accent; 2) unabashedly racist, to the point where he’s at a slave auction (dat anti-black-Asian myth + rich Asian/model minority myth); 3) conventionally unattractive; 4) the only character in his introductory scene without a sexual/romantic partner (a.k.a. emasculation), and 5) implied to be envious of The Black Penis (emasculation again).

It’s unfortunate to see so many Af-Am-male voices, in order to be heard, be wrapped in a anti-Asian/Asian-male message. This is rampant in films like Black Dynamite, Do The Right ThingThe Man with the Iron Fists, etc. Django Unchained surprisingly manages to restrain itself from doing so, but Tarantino’s pretty anti-Asian-male himself. Black-ish is also problematic; in its episode about police brutality, an Asian man was used to represent it (yeah, because we own all the institutions. Mhm.) That’s sickening. Of course white media lapped it up. Not only this but rapper YG’s suggestion to rob Asians because they’re weak targets, Childish Gambino’s verse regarding having beef with an Asian guy because he stole his girl, Chris Rock’s jab at Asians just existing, and Steve Harvey shitting on Asian men are disturbing as well. POC should be working together, and these jabs like this, this, or this are just fucking pathetic.

It’s perplexing because Asian men did not do anything to oppress Af-Am men in history and in the present day, whereas white Americans have and do. Yet Asian men get caught in the crossfire for reasons that exude ignorance on the actants’ part. (And fuck this movie for also referencing that piece of shit Eyes Wide Shut, which depicted Japanese men as being small, makeup-wearing, and pedophiliac. Because Asian men are the ones who go to poor Western countries to start pedophilia rings. Riiiight.)

John Wick: Chapter 2 2017 – Keanu kills two Asian men with a pencil (as advertised) in the most violent and gratuitous way possible. Revels in Asian-male-gore. (See: John Wick [2014], Street Kings [2008].)
Guardians 2017 – Russian Avengers knock-off. Protagonist kills a bunch of Agent Smith-type of Asian Men. Well, because Asian men are a monolith of worthless beings. They love it so much over there, that they made a trailer out of it-a selling point, if you will.

xXx: Return of Xander Cage 2017

First Asian man we see is an old man working at a Chinese restaurant (stereotype).

The second Asian man we see is a robber, who is comedically vanquished by a soccer ball (villainization, emasculation).

The casting of Chinese stars Kris Wu and Donnie Yen (as a villain, no less) is an attempt to pander to mainland China. If they actually cared about Asian men, they would have hired Asian-American actors.

Once again, Asian men are villains. Antiheros, yes, but we are only tolerable as villains.

Spider-Man: Homecoming
2017 – We all know Marvel hates Asian men. In all their TV Shows, all the villains are just Asian ninjas. In this movie, an conventionally unattractive Asian male is paired up with hero Peter Parker. The robbers with masks that fight Spiderman may or may not be Asian judging from the back of their heads. This will be confirmed at a later time.
Resident Evil: Afterlife 2017 – “Commander Chu” is a high-level henchman to main antagonist of the franchise. Fights white woman then gets shot. Chained up to a vehicle and left as food for zombies. Released in 2017 in the U.S.
Colossal 2017 – Comedy monster-disaster movie set in Seoul. It’s so funny seeing a bunch of Asians die, isn’t? Another white woman causing havoc for Asians.

Kong: Skull Island 2017

“Camera’s way more dangerous than a gun.” 

The opening scene of this movie is a Japanese and American pilot squaring off on an island in the South Pacific. The evil Jap trope is overdone here; the Jap is shown to sadistically enjoy causing pain to the American soldier. Completely unnecessary. Just more propaganda.

You then have an obligatory white male lead (Hiddleston) who beats up tiny, unattractive, sneaky, back-handed Asian men with a pool cue. The Asian language is also an implied object of comedy here. Very early in the film.

On the actual island, Asian men are represented to be short savages ruled by a white male (Reilly) who wields a katana stolen from the Japanese pilot he killed in the beginning. In one trailer, all the men are shorter than the woman.

Backdrop is a war that is aesthetic/”nostalgic” to Westerners but devastating to Asian men. The film also plays up women’s rights, and includes the fake-diversity token characters (Black male, Asian female). Further more, as expected the Asian female is one of the good guys.

Life 2017

Asian man silently watches as everyone else discusses ways to solve the situation/save their fellow crew member. White man also jokes about said Asian man being cucked. This is all from just trailers. Normally, a trailer alone does not warrant a place on the list; however: Found this Asian-male report on the film, will be confirming the contents of the report in due time. This entry is a placeholder.

See Sunshine (2007), that also has the same Asian actor.

Sandy Wexler
2017 – Adam Sandler movie. Random Asian landscaper is called “Yoshi”; clear that the speaker doesn’t actually know landscaper. Brought to you by Netflix.
King Arthur: Legend of the Sword 2017 – There ‘s a stereotypical Asian guy called “Kung-Fu George” who teaches Arthur martial arts. Uhm… what?!
The LEGO Ninjago Movie
 2017 – This film does not add to the list count. Stereotyped to hell with Uncle (Jackie) Chan willfully participating. Let’s see how that plays out.
Wish Upon 2017 – This film does not add to the list count. Yet again, Chinese artifact wreaks havoc. We’ll see what Ki Hong Lee does.
Deathnote 2017 – This film does not add to the list count. Asian guy from Heroes is listed as cast member but has no credits. Another Asian man cast as a dictator. We’ll see how this goes.
Mulan 2018 – This film does not add to the list count. White woman directing. Attempted white-male savior story averted. Will be monitored.
Crazy Rich Asians TBD – Warner Bros. funds film to perpetuate Model Minority Myth and Yellow Peril. But no one cares about the facts. Additionally, the male lead role is semi-white-washed and full Asian men are mostly comic relief characters. Let’s see how all this plays out.
Little America TBD – Universal funds Michael Bay’s dystopia-film of how America defaults all debts and China now controls America (Yellow Peril). Story is about an American soldier saving an Asian woman (see: Safe [2012]). Let’s see how that plays out. (Also see films like Olympus Has Fallen [2013] and Red Dawn [2012] and games franchises such as Homefront, COD, Battlefield, Fallout, and ARMA.)
Yasuke TBD – This film does not add to the list count. Story about the first African samurai (real figure). Already mention of scene with racist Japanese. Let’s see if this is another film where the protagonist kills hordes of evil, misogynistic Asian men and bed the Asian woman. Will be monitored.
Ni’ihau TBD – Story about a Hawaiian man who rescues a Japanese pilot during WWII (see: Kong: Skull Island [2017]). The Hawaiian man and his wife kill the Japanese man in the end after the Japanese man tries to takeover the island. The Hawaiian gets rewarded by Murica. Lmao at Deadline shoehorning in how the takeover is what made FDR execute the internment of the Japanese (that’s bullshit btw). And yeah, a blue-eyed white man is set to play the Hawaiian. Lol. I can already hear it. “It’s a true story so there’s no way it can be racist!” People forget even documentaries have authorial intent and design.


Rogue One: A Star Wars Story 2016

The first Asian male (Donnie Yen of Ip Man fame) I see is a blind monk with an accent who talks in Confucianisms. I mean, it’s a Western movie. And they always have to fuck up the eyes (this, of course, is just a part of the long-standing Hollywood tradition: see Minority Report [2002], Blade Runner [1982], Kill Bill: Volume 1 [2003], Blindness [2008], Push [2009], Slow West [2015], Constantine [2005], Big Short [2015], Cars 2 [2011], TV shows like Sherlock, etc. Yen’s request for his character to be blind shouldn’t have been honored.)

Third Asian male I see gets no dialogue in the back. Okay.

Fourth Asian male I see is, conventionally-speaking, an unattractive pilot that gets 3 seconds of speaking-time yelling for help and then gets blown up by a masked TIE fighter. (A bit after, a conventionally attractive Asian female pilot gets a line and survives. No surprise there on the disparity of Asian representation). A very sly move but I caught it (These casting directors are getting sneakier and sneakier).

A bunch of Muslim-surrogates also get some bad representation, basically all POC featured die, and “white” main characters die romantically in the “sunset.”

Typical Hollywood, Western trash. POC, do not let “diversity” fool you. It’s just a sly way of killing more POC on-screen while pandering to get the dim-witted POC in America and mostly abroad out there to pay money to see it. You have been warned for the millionth time (see Star Wars: Force Awakens).

Arrival 2016 – Dat Oscar-nominated Yellow Peril.

This is just some of that good old, Anti-China propaganda, Hollywoood trash. As expected from Hollywood–The West’s greatest propaganda machine–China is shown to be an aggressor, in no doubt to fuel sinophobia in the US and elsewhere. Geopolitically speaking, China would never behave like this, but I guess shitting on Russia was an 80’s thing. The inclusion of geopolitics in the film, while making the short story better suited to be a blockbuster, is insulting.

And of course, they get an RAAM (Racism Against Asian Men) rating for their emasculation of General Shang, which seems like to be a dig against the originator of the film’s story, (Ted) Chiang. Too sonically similar to think it wasn’t intentional or subconscious disrespect.

Silence 2016

“I’m just a foreigner who brought disaster.”

Silence (2016) is a film about a white “savior” who aims to keep the word of The “White” Savior alive in Japan. He, like all other Western invaders, only ends up creating much more suffering in the world than is necessary, in part due to his delusions of grandeur, asking himself “WWJD?” every step of the way while trying to bring a 2000-year-old fairy tale/facilitative instrument of Western colonization to the shores of the island nation.

Obstructing “The Padre” in his quest is a sadistic, buck-toothed Jap whose voice is so nasally annoying and accent so stereotypical, he must be evil and represent all Japs in all his monstrous caricature. This is all, of course, hilariously ironic in that the real evil ones are colonizers, not the natives. It’s crucial to remember that the Portuguese weren’t angels themselves. They gave their Japanese slaves to other slaves. Look it up.

This sequel(?) to Unbroken (2014), and 2 millionth film where Asian men are villains, does an excellent job of portraying “Them” as being misogynistic, unknowing of love, unfeeling, overly talkative, desperate for salvation, unruly, untrustworthy, greedy, lying, corrupt, barbaric, cruel, clumsy, servile, traitorous, bigoted, envious of the white man’s stature, uncouth, cowardly, miserable, deserving of disembodiment, and offensive to the eyes, nose, and ears. Most of the time, the Asian actors are even positioned lower than Garfield (see Hacksaw Ridge [2016]) in the frame.

The Padre also gets an Asian wife and the whole shebang. (See: Satan Never Sleeps [1962]).

Now, Scorcese is no stranger to shitting on Asian men, as he did so twice on his adaptation of a Chinese work, The Departed (2006), which save for those anti-Asian moments, was a great film (also in The Wolf of Wall Street [2013], Casino [1995], and Goodfellas [1990]). But the attempt here was just so comical in terms of its excess. Well, in some perverse way, at least it wasn’t as anti-Japanese-male as The Wolverine (2013). Also note that Silence is an adaptation of a Japanese novel.

In short, did he who made The Goodfellas (1990) make thee?

Deadpool 2016 – Chinese are ugly (Chinatown scene) and gore pornography of an Asian man’s death (opening scene). Typical Hollywood and their pathetic base… And not surprising that T.J. Miller doesn’t think racism is real (according to IGN interview). He’s also in that piece of shit, anti-Asian/Indian male show Silicon Valley. Which, considering the actual Silicon Valley, makes sense.

Sausage Party 2016 – Seth Rogen and his “edgy” goons make a movie where Chinamen are slanty-eyed bottles of soy sauce with Asian Faces and Accents. “Equal-opportunity” racism doesn’t exist since the races don’t stand on equal ground, dipshit.

Doctor Strange 2016

Rated MRAAM for Mild Racism Against Asian Men (18 fucking counts). Even for a white-savior film (technically) dealing with Asian aesthetics and featuring Hong Kong, that’s a new low (or high).

Also, fuck this movie for the whitewashing and the tacked-on, stereotypical role they gave to Wong.

(And fuck all of Marvel’s shit TV shows; it’s just white people killing off droves of Asian men.)

The Edge of Seventeen 2016

Don’t drink piss just because it isn’t shit. Bad representation of Asian men. Asian character is an awkward (stereotype) pushover who is simply a financial safety net (Model Minority Myth) for the protagonist girl when it doesn’t work out with the white male she is really attracted to. The relationship between the two is non-physical. People cry that it’s all good because he gets the girl in the end. So does Long Duk Dong.

She makes stereotypical assumptions about him, which he says are completely fine, making audiences feel that Asian men are pushovers who’ll gladly accept racist remarks.

Birth of the Dragon 2016 – Story of Bruce Lee somehow becomes story of WMAF romance.
Hacksaw Ridge 2016 – Japs are the bad guys! They are extremely dehumanized and depicted as evil; near the end, they pretend to surrender but actually ambush the Muricans. Compare that with the heroic white-male protagonist that doesn’t even carry a gun to war. Dude was even given a medal by Harry “Atom Bomb” Truman. Of course, the other white men are also humanized and portrayed heroically. Oscar-nominated. You know what’s really interesting about the Oscars? It’s controlled by Asians who don’t like Af-Ams!
Come Together 2016 – A short film by Wes Anderson. Conventionally unattractive, small, and old Asian actor was cast (Desexualization). He is depicted to be absolutely clueless, and the only one who has this depiction. Only there for comedic effect.

Now You See Me 2 2016

They make a big deal about Chinese henchmen being outwitted. Characters visit a stereotypical mystical magic shop run by the Chinese.

Chinese men get their asses beat.

A woman reprimands one Chinese henchman preemptively, fearing he’ll take her bra off for her at a security checkpoint. Part of a long list of films that eschew the idea of Asian male straightness (e.g. Fargo, X-Men: Days of Future Past, Wolverine, Pirates of the Carribean: At World’s End, Office Christmas Party, etc.).

Teenage Mutant Ninja Turtles: Out of the Shadows 2016 – An accented Asian guy, a black guy, and an alien try to destroy Murica. Asian guy works under alien, and is later frozen by him. Brought to you by Michael Bay. Also, fuck Will Arnett and his funny but fucking anti-Asian male (William Hung, Ahn-Young) show Arrested Development.
Suicide Squad 2016 – Japanese-speaking Asian Yakuza gangsters are killed by an Asian woman. Only the Asian woman is part of the main cast. And of course her husband is dead/out of the picture.
Ride Along 2 2016 – Ken Jeong plays a hacker only there to shit on Asian men. Only Asian male character mocked at as being asexual, irrelevant, and subservient to “real” men. Contrast with Asian female character who is depicted like a human being. Read more at Kulture.
Office Christmas Party 2016 – Asian man gets rejected by (white) woman because he is a sexual deviant. Reminiscent of films that punish Asian men for expressing their heterosexuality (see: Wolverine, X-Men: Days of Future PastNow You See Me 2, Pirates of the Carribean: At World’s End, Fargo, etc.).
Central Intelligence 2016 – Hart talks about how Asian men have small dicks.
The Gate 2016 – White woman beats up and brutally kills Asian man (again). Asian man is implied to be abusive to his daughter and has locked up a white female who tries to kills herself to get out of the situation (Evil Asian Man trope, Asian Male Patriarchy stereotype). Short film. (Also see: Lucy [2014], Everly [2014], Kill Bill: Vol. 1 [2003], No Escape [2015], Beyond Rangoon [1995], etc.)
The Great Wall 2016 – White savior. Cus Asian men cannot save themselves.
Magnificent 7 2016 – In this adaptation of an adaptation of a Japanese film, Lee Byung-Hun plays a white man’s knife-wielding lapdog. Remember that Lee Byung-Hun also gets treated like dog shit in Hollywood.
War Dogs 2016 – Asian man selling weapons (villainization) and is an outsider in the conference room where most white men are sitting down (otherization). Deliberate choice.
La La Land 2016 – Fashion designer berates subservient Asian male assistant. Gosling also uses the verb “Shanghai,” which is outdated and originates from Yellow Peril.
The Asian Connection 2016 – Fuck Steven Seagal
Paterson 2016 – Japanese guy living in the U.S. has accent is so thick, it needs subtitles (otherization).
Popstar: Never Stop Never Stopping 2016 – Several anti-Japanese/Asian jokes
The Accountant 2016 – Asian criminal sniper dies after being ordered around by white superior.
Batman v Superman: Dawn of Justice 2016 – Asian criminal guy dies and is only there to die.
Kickboxer: Vengeance 2016 – Semi-white-washing via casting of Dave Bautista. Again, the “Asian” man here is the primary antagonist to be killed. At least they didn’t apply ocular prosthetics and yellow-face like they did in some of the other Kickboxer movies. (See: Kickboxer [1989], Kickboxer 2 [1991], Kickboxer 3 [1992], Kickboxer 4 [1994].)
Weiner 2016 – Documentary where Asian male aide is super subservient and colored as quasi-antagonist. Directors also chose to put in Asian politician who seems like he has a stick up his ass.
Army of One 2016 – Near the beginning, in the department store, conventionally unattractive Asian man is cast.
Star Trek: Beyond 2016 – Erasure of straight-Asian-male identity. Hollywood cannot tolerate a straight, sexual Asian man. Strategy devised by Simon Pegg. Even George Takei himself has issue with it. Star Trek also has anti-Asian-male roots (see: Vulcans; Khan).
Warcraft 2016 – Inscrutable Fu-Manchu-type, mystic character with accent. However, also note that the main villain Orc of the whole movie is played by Daniel Wu lmao. That’s just pandering to Chinese audiences in the worst way.
The Warrior’s Gate 2016 – White savior film. Cus Asian men are worthless.


The Big Short 2015

Gosling’s character presents to the other protagonists his Asian “quant.” Essentially a human calculator (dehumanization, stereotype). Look at how flustered and confused the Asian male is directed to look. “Look at his eyes, look at his face,” his handler says. Can you imagine any other race being treated like that on film? Gosling’s character also keeps lying that his “quant” doesn’t speak English, when in fact, he does, and also gets his name wrong (Perpetual Foreigner).

The “quant” himself saying that he does speak English and Carrell’s character saying that the eyes comment was “racist” absolutely does not excuse this garbage. Once again, you had every stereotype thrown in the book to shit on Asian men and to make him an object of comedy. And as you saw, Paramount Pictures uses this as a selling point for their film. Additionally, the racist man (Gosling) is also the narrator of the film. The guy you hold hands with is a racist piece of shit.

Also, consider the scene where Pitt nods to the strange Asian man wearing a face mask in the trailer for the film (something that mainland Asians do but in the film is used to otherize Asian men).

Also, consider the depiction of Asian bond manager Wing Chau as an evil guy who fucks people over. What is with this movie and Asian men?

Star Wars: Force Awakens 2015 – The only Asian men (except one) to appear are criminal bounty hunters who get eaten up by an alien monster. The Irish bounty hunters speak normal English. The voice of the Asian men were digitally altered to sound more alien, and they speak an alien language. Even other aliens speak English (see: Men in Black 3, The Day the Earth Stood Still [2008], etc.).

Slow West 2015 – I really did not expect an Asian man to be in this film. It’s a Western set in the late 1800’s. But lo and behold, the only Asian man in the film is a villainous Chinese. Before he gets shot in the face (a fate no other character experiences), he pokes a hole in the paper window and peeks in. He is shot in the eye. Hollywood loves making in-jokes regarding Asian-male eyes (see: Minority Report, Blade Runner, Slow West, Push, Blindness, Cars 2, Big Short, The Man with the Iron FistsRogue One, etc.).

Mission: Impossible – Rogue Nation 2015 – Features Yellowface of Asian men. Huge portion of the film takes place during the opera Turandot, which features several Asian men in Yellowface. Includes several scenes of a man in Yellowface singing “Nessun Dorma,” among other numbers. I wonder why they chose this specific opera… But predictably, a real Asian woman is with of the good guys.

Terminator Genisys 2015 – Asian man is a literal speechless, robot villain. (See: Robocop 3.)

No Escape 2015

Another contender, starring Owen Wilson, for one of the worst Asian male representations out there:

In one scene Asian men try to rape a white woman (Yellow Peril), but our protagonists manage to kill them off. The woman later kills an Asian man (emasculation).

Generally speaking, Asians cause a lot of problems. It’s because of leaders and rebels that a good ol’ American company has to shut down (Yellow Peril). The behavior of corrupt leaders lead to rebels who cause even more chaos. The rebels, because they are Asian, have no morals, and kill hordes of innocent people, both native and white (dehumanization).

The whole film is just anti-Asian-male porn.

Spectre 2015

Your introduction Asian men in this movie is in the form of several evil henchman and criminals at the Spectre meeting (everyone no less, is subservient to the primary white-male antagonist). One of them has long gray hair (reminiscent of “Fukutu” in Casino Royale [2006]). The main, one-dimensional, brute henchman “Mr. Hinx” is also a Filipino hapa (see: “Oddjob,” “Nick Nack”).

In another scene, Bond asks what is most likely an Asian serviceman to press his clothes for him, to which he is answered, “Yes, sir.”

When Bond escapes the main antagonist’s base, an Asian henchman is shot.

“Mandarin” is also used to denote something incomprehensible, which is a trope that reinforces and relies on the idea that the farthest thing from Western civilization is the Orient. Note that the James Bond franchise began with Dr. No, a story of Yellow Peril.

This one’s kinda mild, actually. See: Die Another Day (2002), Dr. No (1964), You Only Live Twice (1967), Skyfall (2012), Goldfinger (1964), License to Kill (1989), The Man with the Golden Gun (1974), Casino Royale (2006).

Jurassic World 2015

Asian guy soldier-dude dies (he has to!).

Also, Asian-male scientist fucks everything up for everybody.

Avengers: Age of Ultron 2015 – Asian woman gets lines, Asian guys get killed. Asian women loves the white man, white men saves Asian men. Typical.
Tom and Jerry: Spy Quest
2015 – Kids’ movie featuring Yellow Peril in the form of main villain Dr. Zin. This is the exact same character from the 60’s cartoon Johnny Quest and has made appearances in many Adult Swim animations. Keeping the tradition going, I suppose.
Entourage 2015 – “Lloyd Lee” from the TV show. Erasure of Straight-Asian-Male Identity. Poor guy.
Blackhat 2015 – White male (Hemsworth) beats up Asian men. Gets the Asian girl over the Asian guy. Read more at Kulture.
Focus 2015 – Asian man is a con man (dishonest stereotype), has low EQ (stereotype), is creepy (desexualization), is a misogynist (stereotype), has a thick accent (Perpetual Foreigner), and is generally unlikeable and emasculated. Read more at Kulture.

Look Who’s Back 2015

German film depicts Asian men as being O.K. with anti-semitism (3 times). Note that Kaiser Wilhelm II is the Father of Yellow Peril Propaganda.

But did good job in exposing deep-seated German racism in general, and the Westerners’ love for dogs more than POC, the latter of which illuminated a great sense of self-awareness (not for Asian men or brown people, however).

Furious 7
2015 – Directed by Justin Lin, but features tiny Asian male Tony Jaa getting his ass whooped by Paul Walker.
The Martian 2015 – Creepy Chinese man cast, only role is to be shady and scheming
Creed 2015 – Asian-male tourist stereotype.
The Invitation 2015 – Asian guy dies (he has to!). Directed by an AF.
Ant-Man 2015 – Asian men are waiters and scientists.
Power/Rangers 2015 – Short film about the Black Ranger killing a bunch of Asian (Korean) gangsters. Asian men, always the villains.
The Duff 2015 – Ken Jeong says he didn’t go to any schoo dances because he was a “nerd” and makes a fool out of himself.
Samurai Cop 2: Deadly Vengeance 2015 –  See entry for Samurai Cop
Minions 2015 – Makes fun of Japanese (sumo scene). Oh, and remember Sacha Baren-Cohen’s jokes about little yellow, hard-working fellows with tiny dongs at the 2015 Oscars?
7 Days in Hell 2015 – Subservient and awkward looking Asian man picks up tennis balls for white male leads (emasculation).
Genghis Khan Conquers the Moon 2015 – Contains elements of Yellow Peril. Khan kills white prince and fights Neil Armstrong. Also features Mystical Old Asian man (The Wizard).


Lucy 2014

In one scene, Scarjo threatens an Asian man with a gun, asking him if he speaks English (white superiority complex, emasculation). It makes the man look pathetic. This scene, in fact, is what Universal Pictures uses to advertise the film. In others, Asian men are depicted as being disgusting misogynistic.

The rest of the movie is Scarjo shooting and creatively killing hordes of stereotypically villainous, inhumane, and one-dimensional Asian gangsters. There is such revelry in her acts of violence against Asian men. (See: Ghost in the Shell, Kill Bill: Vol. 1, Everly, Elektra). What woman would would be interested in a man she can kick the shit out of?

Yay white feminism!

Directed by anti-Asian-male Luc Besson (see: Fifth Element, Leon: The Professional, Transporter). (Also see: Everly [2014].)

Magic in the Moonlight 2014

In this film, Colin Firth dons Yellow Face to be a Fu Manchu villain in his play. While Emma Stone, who thought she was half-Asian in Aloha says, “I dreamt I was being followed by a sinister Chinese!” Can you imagine Emma Stone being directed to say the same thing about any other race?

Yellow Face & Yellow Peril. Reminds me of how the director of this film, Woody Allen, donned Yellow Face himself in Zelig.

Birdman 2014 – Protagonist (Michael Keaton) complains he looks like a “Mongoloid.” Let’s also not forget the usage of the word “mongoloid,” and how it was synonymous with having Down’s syndrome. His daughter (Emma Stone) also complains it smells like kimchi after going into a flower shop owned by a Korean man. High-grade racism, brought to you by the 2015 Oscar-winner.

X-Men: Days of Future Past
2014 – Vietnamese is tricked and incapacitated by white female mutant for expressing his heterosexuality (emasculation, desexualization). (See: Wolverine, Now You See Me 2, Pirates of the Carribean: At World’s End, Fargo, etc.)

2014 – Sadistic Japanese guy is sadistic to good ol’ Murican POWs. How will our heroes overcome the evil Asian man??? (See Bridge on the River Kwai [1957].)
Edge of Tomorrow 2014 – Near the end of this Japanese-manga adaptation, an Asian soldier with no lines is killed (Why else would he be cast?). In another “comedic” scene, Tom Cruise has trouble with a machine because it speaks Japanese (those inscrutable Japs and their language), and in another scene, after passing Chinese officials, he makes a comment about a “yellow band.” There are no coincidences.
The Interview 2014 – Asian men die, Asian jokes, and WMAF
22 Jump Street 2014 – In the end credits scene/montage, Asian gangsters chase down the protagonists (villainization).
John Wick 2014 – Only Asian male character is a doctor and criminal (stereotype, villainization). Idgaf about no Matrix reunion. (See John Wick: Chapter 2.)

Everly 2014

Selma Hayek (and another actress) succumb(s) to Scarjo/Thurman syndrome this movie: She kills hordes of Asian men.

Asian men are sadistic, misogynistic, kidnappers, and gangsters. One of them is literally called “The Sadist.” Another forced the antagonist into prostitution after kidnapping. Film also features Asian Male Body Horror and Asian Male Gore Porn. People at this garbage as being Feminist and combating “muh Asian patriarchy” lmfao. Once again, Asian men are scapegoats for non-Asian misogyny.

Brought to you by a man named “Lynch” lol.

See: Lucy (2014).

Captain America: The Winter Soldier
2014 – Of course the Asian “Councilman Yen” dies. Of course.
Frank 2014 – This one caught me off guard. It’s an indie music film. But like all Western-made films, it must shit on Asian men. In one scene, a chubby, accented Asian-male bus boy at an Asian restaurant yells, “Chinchilla guy!” once they start talking about “Frank.” The scene is there to show that some people actually have heard of the eccentric Frank. It’s just another version of the overused trope where they show how far-reaching something is by saying that even an Asian man knows it. Because Asian men are furthest thing from Western civilization (see: 2017 Tide Superbowl adLimitless [2011], Minority Report [2002], The Truman Show [1998], Rosemary’s Baby [1968], Spectre [2015], etc.). Once again an Asian man is used as a narrative device and objectified as an object of humor. Sad. 
Revenge of the Green Dragons
2014 – Another entry brought to you by Scorcese. Asian men are only tolerable on screen when related to gang violence.
Transformers: Age of Extinction 2014 – Tiny Asian martial arts guy cast (emasculation, stereotype). Didn’t appreciate the accented Samurai robot either (Perpetual Foreigner). Starring Marky Mark who did some terrible things. Also note that Transformers was originally Japanese.
Bad Johnson 2014 – Penis joke and stereotypes.
Left Behind 2014 – Asian man emasculated. Little people are also shat on in this film.
Seventh Son 2014 – Asian warlock subservient to white witch (source).
A Stranger in Paradise 2014 – Asian men are gangsters. Again.
X+Y 2014 – Asian math nerds (stereotype) in a story about WMAF
Tokyo Fiancée 2014 – Several stereotypes of Asian men focused upon


The Wolverine 2013

One of the most offensive movies I’ve ever seen regarding Asian men.

Opening scenes: “Oppressed” American POW Hugh Jackman (see: Real Steel), out of the kindness of his heart, saves a Japanese soldier’s life from the atom bomb (the irony). The Asian is shown to be pathetically helpless and cowardly.

Throughout the rest of the movie, Jackman kills hordes of Asian men. These include the Yakuza, ninjas, and samurais (stereotype). One Asian man is killed off by a white woman for trying to express his heterosexuality (see X-Men: Days of Future Past). He is mutated in a disgusting manner. (Ctrl F: Asian Male Body Horror.)

He then defends and helps an Asian woman from “The Asian Male Patriarchy.” The woman’s Asian fiancee, who is a corrupt Minister of Justice, is revealed to have planned to kill her for money.

The ending twist: The Japanese man Jackman saved in the beginning is the primary antagonist of the entire film, who tries to kill the Wolverine to achieve immortality. That is how Japs repay their thanks, apparently. But this villain and his evil henchman are vanquished by him and his newfound Asian girl. :/

This is what happens when Spielberg (Minority Report) teams up with an Aussie (anti-Chinese).

Kick-Ass 2 2013

“When are you gonna grow up?”

One of the most racist movies I’ve ever seen in terms of their portrayal of Asian men.

In an earlier scene, a convenience store clerk is called “spring roll” and is shown cowering underneath a counter. In a later scene, a mostly Anglo team takes glee in beating and literally castrating Asian men who have apparently sold their compatriot women into prostitution. In one film, the familiar stereotypes of the Perpetual Foreigner (accents and using their native language), Asian male emasculation (including a literal castration scene), Asian male misogyny, and Yellow Perilism dominate with an ignorance, brazenness, and enthusiasm unparalleled by even most other Anglo-films that partake in the same kind of attacks against Asian men.

Oh, and then there’s another Triad member so cleverly named “Genghis Carnage” whose main job is to get fraps. Oh, and the one Asian superhero in the entire film, nameless, very scrawny, getting tazed probably made for some good Anglo comedy.

Olympus Has Fallen 2013 – The Bad Korea takes over. Lol. A product of insecurity, narcissicism, and fantasy, all presented in an elegant Yellow Peril package. After seeing this movie, a lot of its patrons were just begging for a chink-killing spree. See: Red Dawn (2012).

Gravity 2013

Rated RAMIM for Racism Against Mongoloid and Indian Men.

Seriously, you’re not that clever for putting a ping-pong paddle and traditional gold coin in the Chinese satellite. My fellow semi-Mongoloid friend Alfonso, that would be like me putting a pinata in the Mexsat-3. Not only that, but there’s a comedy scene involving what the protagonist thinks is the Chinese language.

Also fuck the new, interesting concept of the classic white-savior trope, where they save the POC AFTER he’s dead.

Only God Forgives
2013 – Ryan Gosling (see: The Big Short) goes out on a spree killing a bunch of Asian guys in the corrupt world of Bangkok (dehumanization, villainization).
Iron Man 3 2013 – “Mandarin” is not only a Yellow-Peril/Fu-Manchu-approximate, but his Asian-male identity is washed out once by Ben Kingsley and another time by Guy Pierce. (See: Iron Man [2008]).
The Hangover Part III 2013 – Ken Jeong hurts. He literally does full frontal… The press even wrote about his dick.
Fast & Furious 6 2013 – Asian male lead is the most expendable so he’s killed off. Dgaf if the director’s Asian.
The Internship 2013 – Jimmy O. Yang as “Wa Zao.” 
Ninja: Shadow of a Tear
2013 – White martial artist’s Asian wife murdered. Leads to beating the asses of loads of Asian men in the humiliating of ways. Read more at Kulture.
Make Your Move 2013 – Asian men only there to show how “oppressive” they are to Asian girl. Lol. White man comes to the rescue. Read more at Kulture.
Red 2
2013 – Asian antagonist guy is a contract killer. Asian men are only tolerable as villains.

47 Ronin 2013

Dear Hollywood,

Stop portraying Asian males as being castrated, racist, cowardly, dishonest, mechanical, emotionless, misogynistic, jealous, conniving, one-dimensional, evil, and replaceable. Stop making Asian people in Asia speak accented English (especially in isiolationist Edo Japan). Stop making movies where Asians can only be saved by white or part-white saviors. Stop fetishizing and appropriating the iconographies and aesthetics of our countries’ cultures. I know all of this is a pillar in American filmmaking, but stop. I know you tried this time to not go out of your way to be racist, but you still hit every note along the way despite your good intentions.

The Double
2013 – Protagonist makes joke about a Chinese virgin (emasculation). Everyone laughs. Fuck Richard Aoyade.
About Time 2013 – This movie really loves to shit on the Chinese (one-child policy, ping-pong). And Indian men. Whih is not what a British film should be doing.
Unhung Hero 2013 – In a mockumentary about small penises, how can a white male not shit on Asian men?
Dallas Buyers Club 2013 – Otherizes the Japanese several times and makes them look greedy (e.g. one of the Japanese doctors sells pills under-the-table). See Dirty Pretty Things (2002). Oscar-nominated.
The Mortal Instruments: City of Bones 2013 – Asian male bodyguard only there to be hypnotized and be incompetent. Another Asian male character, who is straight in real life, is a gay male in this depiction. Part of a long list of the systematic erasure of the straight-Asian-male identity in media. Read more at Kulture.
G.I. Joe: Retaliation 2013 – Asian men can only be ninja-antagonists and nothing more.
21 & Over 2013 – Qausi-white-savior film featuring a stereotypically robotic, Confucian, patriarchal Asian father.
R.I.P.D. 2013 – Veteran James Hong used for comedic effect. The farthest thing away from an Asian man is a (white) woman. The two are juxtaposed for maximum comedic effect. Because the Asian man’s existence is funny.
Rapture-Palooza 2013 – Ken Jeong plays God who tried to kill Jesus. He is hit by a shovel, gets electrocuted, and dies.
Despicable Me 2 2013 – Ken Jeong plays tiny white Fu Manchu…
Chink 2013 – Protagonist revels in gruesome murder of an Asian man
The Wolf of Wall Street 2013“Chester Ming,” representative of the real-life Victor Wang, depicted as amoral. Inclusion of this character is unnecessary. Real-life Jordan Belfort himself described Wang as the “depraved Chinaman.” Scorcese here also shits on little people.
Pacific Rim 2013 – “Tendo Choi” is a yellow-faced character. WMAF is not the reason this movie is on this list.
Maggie Simpson in: The Longest Daycare 2013 – Short film. Asian-male baby is one of the gifted children playing violin (Model Minority myth).
The Lost Medallion: The Adventures of Billy Stone 2013 – Old mystical Asian man stereotype. He dies. Gotta start conditioning them young.
The Walking Dead: A Hardcore Parody 2013 – White actor uses prosthetics to play “Glen Rhee”
Monsters University 2013 – Randall, with squinty eyes, no backbone, studious nature, and eventual villainy implies that he is Asian.


Men in Black 3 2012

Restaurant gets busted for violating health codes because it sells aliens as food. Cook says one of the aliens is a dish that is “very traditional in China.” Relies on stereotype of Asians eating weird food. (See: Contagion [2011].)

Asian male cook is an alien (Perpetual Foreigner). And Asian Male Body Horror is a thing.

He gets slapped around a bit by a white man for lying. The Asian alien’s name is “Wu” (see: Mr. Wu [1927]).

He also says: “On the behalf of my pathetic self and worthless children, you stay. Allow me most honorable benefit of serving you favorite noodles, K?” To this Agent K responds, “Don’t nobody want none of yo nasty ass noodles, Wu.” The white agent then says, “You’re a piece of shit, Wu.”

Wu then looks at them scornfully as they go to their table to eat what they ordered. Then cut to scene with a single eye in the noodles (in-joke about Asian eyes).

Then they talk about his “skirt” (emasculation). Like they did in the 1800’s.

Then the white agent finds a random Asian alien male cook and beats his face flat with a pan. Remember that “pan-face” is a slur against Asians.

We then see Wu, dead, impaled onto the wall by spikes.

See: The Day the Earth Stood Still (2008), where an old alien Asian man is also named “Mr. Wu.”

Ted 2012

Seth McFarlane would be nothing without Asian men (just like Matt and Trey Parker). Family Guy is a show dedicated to shitting on Asian men. The way he targets Asian men is different from the way he targets all other groups. It is just pure hatred. It’s not satire. He doesn’t Asian-male lampoon stereotypes, he perpetuates them.

In Ted, the protagonists’ “final battle” is against a screaming, accented Chinese guy who attacks with his knife and chases a duck. Flash Gordon himself appears and attacks the man, thinking that the Chinese man is Ming the Merciless, a Yellow Peril character from the 1980 movie Flash Gordon. Fucking disgusting.

See Matt and Trey Parker’s Team America: World Police.

Cloud Atlas 2012 – Yellowface: White male actor (Jim Sturgess) turned into an Asian man with prosthetics (see: 21 [2008]). Then he’s paired up with a full Asian actress. Artistic context/device does not excuse yellowface. Can you imagine an Asian male actor using prosthetics to be a white male, and being paired up with an white woman? Because the roles could not have been reversed, the film was anti-Asian male. Can you imagine female yellowface of Asian men? It only happens in men nowadays (e.g. I Now Pronounce You Chuck & Larry [2007], Magic in the Moonlight [2014]). Brought to you by the Wachowskis.

Red Dawn 2012 – Ragtag group of hillbillies protect their town from an Asian commie invasion. Yellow Peril, much?

Pitch Perfect 2012 – Asian guy that looks awkward and has glasses is one of the Asians that ruins the romantic mood between two white characters.

The Man with the Iron Fists 2012

All kinds of wrong with this movie.

Russell Crowe is very problematic in this film. In one of his earliest scenes, he “saves” an Asian prostitute from a rotund Asian man, and kills him in the most bloody way possible. And no one cares, as he walks away with his girls, while making a Chinese-eating-dog joke (Lucy Liu laughs to this).

In another scene, while he is getting intimate with Lucy Liu, he tells a small Asian man, “What are you looking at, dirty little man?” In another scene, several women help him don actual Yellow Face, with the eyes and all, as he says, “Me… rikey.” To this, of course, all the girls laugh along as he spews Chinese.

Near the end, Crowe, whose character is British, kills a stereotypical semi-Fu Manchu (completely with white hair) and finishes off with a joke about Opium.

This is just over-the-top emasculating. Asian women in this film cannot resist the white/black man, and also talk shit about all the Asian men, who are depicted as immoral, misogynistic savages. They are also depicted as racists against RZA (from the Wu-Tang Clan), calling him “blackie” (to perpetuate the Racist Asian myth).

The only Asian-male protagonist in this Asian-male-gorefest has a ponytail and constantly needs RZA’s help (emasculation). The main Asian-male antagonist is also given an unbearable shrill laugh.

RZA also plays up the myth of Asian-male misogyny as well, as Lucy Liu and her girls decide to rise up against the men, by her words, hold all the power, and kill them all.

And of course, as part of Hollywood tradition, there’s an in-joke about the Asian-male eye, as it is punched out of an Asian man’s head (see: Minority Report [2002], Blade Runner [1982], Kill Bill: Volume 1 [2003], Blindness [2008], Push [2009], Slow West [2015], Constantine [2005], Big Short [2015], Cars 2 [2011], TV shows like Sherlock, etc.).

Unsurprisingly, the banner right now for this film on Letterboxd (the ones that shadowbanned me from their service), in fact, is an Asian woman (minor character) going for the strike against a rotund Asian man. Typical.

Safe 2012 – Jason Statham saves Asian girl from the Triad (white savior, villainization).

Skyfall 2012

In one set piece, a white-male sniper take down an old Asian man.

In another set piece, violence against groups of Asian men is exhibited. One of them “hilariously” gets killed by a Komodo dragon after a semi-“comedic” fumble with Bond’s gun. The James Bond M.O. (see other Bond films on this list).

It is also revealed that the main antagonist turned out the way he did because of the traumas of the torture he received by the Chinese.

Chinese government stepped in and took some of these scenes out.

Prometheus 2012 – Asian man “Ravel” makes a bet, loses, but doesn’t pay up, pointing to a technicality (stingy, deceitful). He dies in the end of the film (obviously).
The Dictator 2012 – Bobby Lee plays the accented, scheming, misogynistic, closet homosexual (erasure of straight-Asian-male identity), and evil Mr. Lao from China.
The Bourne Legacy 2012 – Asian man is a brainwashed evil henchman who gets killed  by a white woman when he’s kicked off his bike onto a pillar.
Looper 2012 – Asian men are gangsters (again). The good Asian woman however, is able to “save” the protagonist (this contrast is prevalent in films). On a side note, this film continues to associate Asia(n men) with crime: the currency used by the Murican mob is Chinese (shown in the opening sequences), some of the Murican mobsters wear Asian garb, etc. The protagonist also makes a big deal about how better France would be than China, and the main antagonist implies that China will either be the major breeding ground for crime and/or it will continue to grow in power (Yellow Peril).
Total Recall 2012 – As John Cho is about to shoot white protagonist, he is gunned down.
The Master 2012 – Protagonist talks about killing “Japs” during the war
FDR: American Badass! 2012 – Film celebrating the author of the Japanese internment portrays Vietnamese officer negatively.
Detention of the Dead 2012 – Asian guy dies first. His severed legs used as weapons.
Branded 2012 – Asian Male Body Horror is a thing. Russian film.
Goon 2012 – Asian hockey player is a stereotypical med student (idgaf that it’s based on a true story). Model Minority Myth is bad for all POC.
Grave Encounters 2 2012 – Asian guy always dies first (his white girlfriend also dies with him; reads like a punishment for dating an Asian).
John Dies at the End 2012 – White male protagonist’s name is “David Wong.” Despite it being based on a real life situation, in the film itself, an Asian man’s name is reduced to an accessory and quirk. The character’s odd name mirrors the white author’s adoption of the pseudonym of “David Wong” IRL. By using that name, he received racist hate mail (you can tell from this link that he associates Asian men with villains). For Asian men like us, we have to deal with this everyday, yet for this white male author it is but an experiment, a writing stunt, a mask he can take off at will. The white male in question, James Pargin, is now the editor-in-chief of Cracked.


Real Steel 2011 – Like every movie ever, the main antagonist is an Asian man. The story of the father and son builds up to the final hurdle and climactic battle against an Asian man (Yellow Peril). That’s literally the whole point of the movie. Hugh Jackman plays a similar role in Wolverine (2013).

No Strings Attached 2011 – Small Asian man‘s only role in the film is to be told “Fuck you,” “Fuck off,” and to stop taking pictures of his dick. Script written by this white woman.

Contagion 2011 – Virus leads to global catastrophe. Turns out, the whole thing is due to an Asian male chef’s carelessness (stereotype, Yellow Peril). The impulse that drove this creative decision mirrors impulse of some to call Asian men “SARS monkeys.” Brought to you by Warner Bros. (See: Men in Black 3, Contagion.)

The Candidate
2011 – Even in a short film, this director manages to squeeze in a bit where thousands of people hate an Asian family so much, they die. Other people die this way but their faces are never shown.

Cars 2 2011 – Japanese cars a sushi chef with slanted-eyes. Involved in joke about wasabi. Why else would this character be animated?

The Tree of Life 2011 – Pitt’s characters says that if the Chinese don’t accept his business offer, “damn ’em all to Hell.” Almost sounds like today’s rising Yellow Peril as China rises. This movie is all about nostalgia, or pleasant memories. This is one of those for the director.

Sherlock Holmes: A Game of Shadows 2011 – Holmes disguises himself as a Chinese. (See: You Only Live Twice [1967].)

Limitless 2011

In the end scene, Bradley Cooper and his girlfriend are served by Chinese waiter who speaks, of course, Chinese at a Chinese restaurant (Perpetual Foreigner, emasculation, stereotype).

The device of showing how smart Cooper is by showing us he speaks Chinese is because China is the farthest thing from the Western identity (Perpetual Foreigner). This is seen in on TV shows, ads, and in films such as The Truman Show.

The Hangover Part II 2011 – Ken Jeong hurts me.
Transformers: Dark of the Moon 2011 – Ken Jeong plays a crazy, creepy, Asian man working who gets thrown off a building for talking too much and dies. Also note that Transformers was originally Japanese.
Drive 2011 – One of the characters dislikes “chink” food. Normalizes the slur (it already is).
Zookeeper 2011 – Ken Jeong plays “Venom,” who is a weird Asian man who acts sexually creepy towards an Asian woman of a WMAF couple.
Tinker Tailor Soldier Spy 2011 – Several references to Mr. Wu. Check out the history of Mr. Wu the film, and the popular song.
Sucker Punch 2011 – White woman vs. Samurais (white female vs. Asian masculinity trope).
Dirty Movie 2011 – “Chinaman” scene
The Green Hornet 2011 – Remake. Seth Rogen emasculates another Asian man.
Thor 2011 – “Hogun” is the butt-end of a stereotype joke.


Inception 2010 – Opening: A bunch of Asians men are killed by Dicaprio. Central to the plot is Yellow Peril, as Japanese CEO Saito tries to bring about the destruction of an American company for world dominance, using murder and other criminal activities. He also gets injured causing problems for everyone.
Easy A 2010 – Obligatory Awkward Asian guy.
Tomorrow, When the War Began 2010 – Aussie scum creators masturbate to fantasies of an Asian Invasion/Yellow Peril Propaganda. The kicker: Asian country invades because they believe they have a right to Australia’s natural resources for their burgeoning population. Not only is that pathetically racist against present-day Asians, but that may just be the most ironic entry in this entire list. Yes, please explain how the aboriginals thought about you. Includes token Asian man as a weak buffer against accurate accusations of racism. And of course, on the poster, he’s shoved far back in the corner as all Asian men are.
She’s Out of My League 2010 – Dick joke :/
The Karate Kid 2010 – Remake of the original where Uncle “Jackie” Chan helps protagonist beat up a bunch bad Chinese kinds (villainization).
Fair Game 2010 – Starring an Asian man as “Nervous Analyst #1.”
TEKKEN 2010 – Kung Fu stereotypes
Resident Evil: Afterlife 2010 – Cowardly Asian guy causes problems for every one (emasculation).
Jonah Hex 2010 – IMDb credits section literally has the actor listed as “old Chinese guy” (desexualization). Found on Ethnic Muse.
Furry Vengeance 2010 – Evil Asian CEO sterotype. He gets attacked by animals.


Black Dynamite 2009

The main story is that Asian men are trying to make Black men’s penises smaller at the behest of white men.

Features Asian male subservience, cucking, Fu Manchu, small-dick stereotype, violence against Asian men, a comedic scene with a dying Vietnamese boy with a “Chinese face” and “Chinese knees,” cultural appropriation, slurs directed at Asian men, Asian male disembodiment, anti-Asian male physiognomical phrenology (centering on facial protrusion and eye-shape), mocking of Asian languages, Asian male clumsiness, Asian male emasculation, Yellow Peril, Dr. Wu homages, Asian male cowardice (aka being yellow), etc. all portrayed unironically with zero Asian-male humanization.

The film asserts that Asian men do not even have the rights to their own representation, or even their own stereotypes. African-American creators here ‘wield’ their stereotypes in an ironic manner in a definite, pro-Black Power way, an exaggerated form of racial-pride as was seen in Tarantino’s Django Unchained (2012).

Black male representation on film is so fucking different than Asian male representation on film that what this film does is unacceptable. This film’s overall goal is to positively portray Black males (great!). Asian men, however, never having been portrayed positively on film, cannot be treated in this manner, especially on film. Here, Asian-male stereotypes are co-opted used to our detriment in an unironic, non-subversive way.

It’s a shame. Besides this Black-on-Yellow bullshit, I thought the film was absolute artistic and comedic genius.

(500) Days of Summer 2009Watch this. Two white romantic lovers juxtaposed with asexual Asian nerd pushing up glasses. Assumption is made that all Asians are Chinese.
2009Asians are so loud they can break glass and they have alien eyes. Asian men also just take orders and are villains yet again.
The Hangover 2009Ken Jeong’s character, “Leslie (emasculation) Chow.” Need I say more? This dude is the new Uncle Chan. He’s also the main antagonist of the film. Asian men are always the main antagonists.
The Goods: Live Hard, Sell Hard 2009 – Token Asian nerd. Aside from this extra, people gang up on and beat Ken Jeong because he’s Asian and makes pathetic joke about Asian eyes (see: Minority Report, Blade Runner, Slow West, Push, Blindness, Cars 2, Big Short, Rogue One, Men in Black 3, The Man with the Iron Fists, Kill Bill: Vol. 1, etc.).
The Cove 2009 – Film about dolphin-hunting. Weird Japanese people focused on (otherization) and made to seem corrupt and heartless (villainization, dehumanization). Why don’t they make a movie about dophin-hunting in the Faroe Islands (Dutch)? Cos it’s propaganda. No one would like a movie about whites hunting dolphins; the evil Japs is what sells. The Spanish still torture and kill bulls for entertainment, but no one gives a shit. Instead, you have clueless white women protesting the Yu Lin dog festival in fucking Chinatown. Won an Academy Award.


Asian dad leaves kid all alone (lolwut).

The boy is an example of Asian male infantilization. Infantilization is a subset of emasculation. It pervades the industry because Hollywood cannot fathom an Asian man. The only way Asian males can be tolerated is they are infantilized, asexualized, thus emasculated. (Look up Short Round, From Dusk Till Dawn, Gran Torino, etc.)

Dragonball Evolution 2009 – Goku (lead) is white-washed, while Grandpa Gohan, Mai, Master Roshi, and Yamcha are not. Goku is paired up with Chi Chi (Jamie Chung).
G.I. Joe: The Rise of Cobra 2009 – Yes. Cus All Asian men are ninjas (stereotype, villainization).
Crank: High Voltage 2009 – David Carraine yellowfaces as “Poon Dong.” Chinese are all criminal-doctors.
The Twilight Saga: New Moon 2009 – Asian man who vied for white female’s attention in first film seen crying (emasculation).
A Serious Man 2009 – Steve Park plays an uptight Korean father. His son asks the Jewish protagonist to give him a passing grade because he doesn’t want to lose a scholarship. He surreptitiously leaves some cash behind. If the protagonist doesn’t comply, the Korean father says he will sue for defamation if he is accused of bribery, or for accepting the bribe if the protagonist takes the money but doesn’t give his son a passing grade. A Coen Brothers film (see: Fargo [1996]).
John Rabe – White savior film about man who saved the lowly Chinese. Also functions as an anti-Jap propaganda film that pits Asians against each other. They even have a Jap soldier threatening to shoot a doctor (Steve Buscemi).
Mao’s Last Dancer 2009 – Aussie anti-Chinese propaganda film. Film about an Uncle Chan and whites vs. heartless commie chinks.
To Save a Life 2009 – Filipino student “Jonny Garcia” has severe emotional problems, is lonely, doesn’t get the girl, tries to commit suicide, and has fantasies of attacking his school.
Hanger 2009 – Chinese man with Down syndrome played by white man
Superman/Batman: Public Enemies 2009 – Suspiciously high amount of stereotypes
Good Hair 2009 – Makes Asians seem anti-Black and exploiting Af-Ams. Perhaps this is the motivation for his jab at the 88th Academy Awards?
Funny People 2009 – Family makes fun of Chinese language
Inglourious Basterds 2009 – Why the fuck does a Nazi have to talk about Fu Manchus? Tarantino, we already know you love that stereotype!
Watchmen 2009 – Two protagonists kills Viets like its nothing


Gran Torino 2008 – Old white man kills a bunch of bad Asian men. Takes young Asian boy under tutelage a.k.a. Asian male infantilization. Infantilization is a subset of emasculation. It pervades the industry because Hollywood cannot fathom an Asian man. The only way Asian males can be tolerated is they are infantilized, asexualized, thus emasculated (See: Short Round, From Dusk Till Dawn, Up, etc.).

You know this movie’s made by an old white guy when they throw around terms like “zipperhead.” Jesus Christ.

Rambo 2008 – Stallone and white male friends slaughter Burmese men in droves. But it’s all cool though, since those evil Burmese massacres innocents. Stallone doing the same shit he did 30 years ago… and they accuse us of being uncreative and racist… lmao.

Tropic Thunder 2008 – Viet men are villains. Their head honcho is just a boy shat on by the likes of Tom Cruise’s character. The head honcho is an example of Asian male infantilization. Infantilization is a subset of emasculation and thus, asexualization.

The Day the Earth Stood Still 2008

Veteran James Hong plays “Mr. Wu” (see Mr. Wu [1927]), an old Asian man that is actually an alien in disguise (Perpetual Foreigner) who, in Chinese, talks about how bad humans are to Keanu Reeves. The Chinese portion doesn’t include subtitles to reinforce how alien he is (See: Men in Black 3).

A female character asks a younger Asian man if he is also “one of them.” Flustered Asian man doesn’t know what she’s talking about (har har). At best, this is a failed commentary on making assumptions based on looks. I doubt it’s that, however.

Blindness 2008

Asian man goes blind while driving (in-joke about Asian drivers). He is the patient zero of a blindness epidemic. This film is a part of a long list of films that make in-jokes about the Asian-male eye (see: Minority Report [2002], Blade Runner [1982], Kill Bill: Volume 1 [2003], Rogue One [2016], Push [2009], Slow West [2015], Constantine [2005], Big Short [2015], Cars 2 [2011], The Man with the Iron Fists [2012], TV shows like Sherlock, etc.).

Also consult: Contagion (2011).

21 2008

Main role of this true story is white-washed by Jim Sturgess (erasure). Only Asian man to appear is stereotypical math nerd building robots. (See: Cloud Atlas [2012].)

Iron Man 2008

Out of all the pilots, the Asian man is the shortest in all but one shot (there is only one pilot shorter than him, and they cast a man who looks Latino for him). I mean, he looks like a fucking child in this shot. Another pic. A little inside joke among those worked on the film.

In another scene, you have a conventionally unattractive, bald, bespectacled Asian man sitting behind an attractive white woman. In another scene, Tony Stark gives his car to a glasses-wearing Asian valet; in another scene, an old glasses-wearing Asian doctor puts his head down and scurries away when the film’s primary antagonist shows up. I also found it disturbing how they brought in some minor Yellow Peril into this (the secondary antagonist and leader of the extremists talking about Genghis Khan owning the world), as well as Tony Stark’s father having brought the Manhattan Project into fruition.

Obviously, the director, cinematographer, and the casting directors are all in on these inside jokes. But it does seem like the casting directors have the most influence on these anti-Asian-male jabs, since these characters didn’t really have any audible lines. The film is cast by two white women; that explains the scenes very well. Oh, and thanks Marvel (Also see: Iron Man 3 [2013].)


In the opening scenes, Will Smith insinuates that Asian gangsters (villainization) who are speaking a foreign language (Perpetual Foreigner) are homosexual (erasure of Straight-Asian-male identity). They scream like little girls (emasculation). He proceeds to vanquish them in a most humiliating and emasculating manner.

Let’s also not forget the short, long-haired Asian boss (multiple stereotypes) who serves as a semi-antagonistic figure during the introduction of the protagonist “Ray Embrey.” We also Asian criminals in the jail; they are the shortest out of all of them with (with the exception of one Caucasian little person). And near the end, talking about how Attila the Hun was “cross-eyed” was a bit strange as well.

The Dark Knight 2008

“[A]s a detective, we’re not allowed to believe in coincidences.

Of course Nolan had to shoehorn in an Asian villain (“Lau”). This Chinese mob boss is “good with calculation” and is a “squealer.” Defeated in the end.

Street Kings 2008 – Korean men imprison and rape two 14-year-old Asian girls. Keanu Reeves kills them. One Asian man is credited as “toilet man” while another is credited as “towel man” (source). (See: John Wick: Chapter 2).
Pineapple Express 2008 – Ken Jeong plays a stereotypical, accented assassin/ninja. He dies along with Bobby Lee who was working with him. In one deleted scene, he is infanilized via tickling. Infantilization is a subset of emasculation. It pervades the industry because Hollywood cannot fathom an Asian man. The only way Asian males can be tolerated is they are infantilized, emasculated, and thus asexualized.
Twilight 2008 – Asian male desperate for white female’s attention.
Bangkok Dangerous 2008 – Blurb coming soon.
Sex and the City 2008 – Asian man comes to interview wearing a suit, but also pink heels. Erasure of straight-Asian-male identity (source).
Blonde and Blonder 2008 – Canadian film. Asian head of the Triads kidnaps white protagonist female and gets arrested.
Role Models 2008 – Once again, Asian man is the primary antagonist. Always.
The Forbidden Kingdom 2008 – White boy who hangs out with “chink[s]” saves China. Because Chinese men cannot do that without the help of a white boy. Same bullshit trope of the Magical Orient seen in Wish Upon (2017), Freaky Friday (2003) (not on this list), Gremlins (1984)etc. 
The Mummy: Tomb of the Dragon Emperor 2008 – Asian men antagonists in hordes
Get Smart (2008) – Asian man Masi Oka as tech genius (stereotype).
Half-Life (2008) – Erasure of Straight-Asian-Male Identity.
W. 2008 – College student says “Japs” are kamikazes and says they’re crazy


Pirates of the Caribbean: At World’s End 2007

Film portrays Chinese Pirates as inhuman, visually offensive, and especially villainous.

Chow Yun-Fat’s character is a semi-Fu Manchu who is depicted as being creepy for showing interest in white female lead. Hollywood cannot fathom the straight Asian male (see: Fargo, Wolverine, X-Men: Days of Future Past, Now You See Me 2).

He dies at the end and gives all his power to a white female (emasculation).

Depiction was so bad, the Chinese Government stepped in censored some portions.

I Now Pronounce You Chuck & Larry

Rob Schneider colors his face yellow, adds a prosthetic nose, dons a bowl-cut wig, comically large glasses, wears buckteeth, and puts on a thick accent. One of the worst yellowfacing instances I’ve seen in the 21st century.

Balls of Fury 2007 – LITERAL FU MANCHU as the antagonist! In two-fucking-thousand-and-seven! Fuck Christopher Walken.
The Number 23 2007 – This one caught me off guard. Within minutes of the film’s opening, an Old Chinese Man (asexualization via geriatrification) brings Jim Carrey, who is an animal control worker, to get rid of a dog in the back of the Chinese restaurant. The Old Chinese Man speaks to Jim Carrey in Chinese. Carrey just responds with “sure” and humorous replies showing that he does not understand a single word (Perpetual Foreigner, otherization). Once Carrey sees the dog, he talks to it, saying things like “In China, they eat dog!” Sooo clever, guys. Sidenote: later on, there’s a scene involving an Asian-male cop. Looks like casting directors chose the scrawniest Asian man they could find. To play a cop. Directed by Schumacher.
Disturbia 2007 – Asian character is a creepy guy that spies on people making out, and doesn’t get the girl unlike his white protagonist friend (Shia Labeouf).
Superbad 2007 – Asian men are jokes again.
Rush Hour 3 2007 – Really?
Sunshine 2007 – Asian man (“Kaneda”) makes a bad call and puts everyone in the space ship in danger. Of course, the Asian man dies first. His death is indirectly caused by another Asian man (“Trey”), a genius, who fucks up a calculation in the trajectory of the ship. Because of his guilt, he kills himself. A white man and an Asian woman were planning on killing him anyway.
War 2007 – Statham and token Asian agent fight Triads and Yakuza (lol). Good Asian guy gets killed along with his entire family by Jet Li. Good Asian guy, while rare, always dies. Turns out good Asian guy is actually the bad Asian guy. Also, Statham is literally on the “Asian Crime Task Force” (lol). Statham saves another Asian operative’s life (white savior).
Norbit 2007 – Yellowface by Eddie Murphy.
Ocean’s Thirteen 2007 – The “Amazing” Yen is a stereotypical Chinese acrobat
American Gangster 2007 – Asian men are villains/criminals
Hack! 2007 – Straight Asian man cast as overly flamboyant homosexual. Erasure of straight-Asian-male identity. Said Asian man characterized as being cowardly. Gets shot.
Boarding Gate 2007 – French film. Asian men drug and rape a white woman. Another Asian-male character cheats on his wife (source).
Shanghai Baby 2007 – Asian woman prefers married white man over an Asian man she used to love. Said Asian man dies due to drug overdose (source).
Grindhouse 2007 – Yellowface by Nic Cage. Wonder how his hapa son feels about that.


The Departed 2006

Great film, adapted from the Chinese film Infernal Affairs. But very anti-Asian male.

Jack Nicholson’s character makes a comment about some Asian gangsters’ small dicks (villainization, emasculation), while some subordinate Chinese guy translates all this like a good little House Chan (emasculation).

Later on, Matt Damon’s character stabs a random Chinese guy to death while he’s in Chinatown (Asian guy dies trope).

Crank 2006 – One “funny” scene involves Statham and his girlfriend having public sex in a Chinese crowd. Chinese were chosen because Asians are asexual and their men, the farthest thing from heterosexuality.
Casino Royale 2006 – “Fukutu” is not only a villain, but looks the most foreign in terms of stylization (otherization). He’s the only one at the table with white hair (a la old kung fu movies) and a ponytail (emasculation).
X-Men: The Last Stand 2006 – Only Asian male character is a villain.
The Fast and the Furious: Tokyo Drift 2006 – White protagonist defeats corrupt Japs at their own game.
Ultraviolet 2006 – Cowardly Asian man (stereotype, emasculation)
Scary Movie 4 2006 – Hollywood loves to use Asian kids to make fun of us.
Teen Titans: Trouble in Tokyo 2006 – Main antagonist is Commander Daizo, who was originally one of the good guys. Asian men are deceitful.”Brushogun” (false antagonist) voiced by Cary-Hiroyuki Tagawa (see: Showdown in Little Tokyo [1991]). Negative effect on children.
Exit 38 2006 – Asian-male vampire coming for your white women!
Razor Sharp 2006 – White woman beats up Asian-male security guard. Short film. (See: The Gate [2016], etc.)
Cloud 9 2006 – Yellowface of Asian man
The Cutting Edge: Going for Gold 2006 – Asian-male figure skater is too/weak incompetent (source).


Thank You for Smoking 2005 – I was utterly surprised at how many anti-Asian male moments this movies had. Like, why? Personal vendetta? Absolute ignorance? In one scene that is particularly memorable to me, the white lead from The O.C. tells some elderly Asian man to keep raking an Oriental/zen sand pit, telling “Hiroshi” that the “sands not gonna rake itself” (emasculation, subordination, stereotype).
Batman Begins 2005 – Liam Neeson’s the leader of a bunch of Asian ninjas and Christian Bale beats ’em up (villainization, de-individualization).
Kicking & Screaming 2005 – This movie just loves to make fun of little “Bing Bong.” There are so many scenes of them making fun of him. Example. How can they go so low as to make fun of a child on film? No wonder the Asian youth suicide rate is so high. This attitude is what makes the 2016 Oscars happen. Also reminds me of Vitamin C’s “Graduation,” where the Asian nerd is a) shown to be clumsy/metaphorically beat up, and b) is not receptive to female attention, while Asian female students are shown to be social.
Elektra 2005 – White woman vs. Asian men (see: Lucy, Ghost in the ShellEverly, Kill Bill: Vol. 1). Protagonist, who was haunted by visions of her mother, has cathartic moment when she finally kills the Asian man that killed her mother.
3 Needles 2005 – Chinese military men gang-rape a pregnant woman and destroy her supply of blood.
Faith of My Father 2005 – Film about John “I hate the gooks” McCain vs. Evil Viets. Notable antagonists are “Prick” and “Cat.”
Memoirs of a Geisha 2005 – Blurb coming soon.
Constantine 2005 – Asian men doesn’t follow protagonist’s orders, open his eyes (har har), and is cursed because of it. 
2005 – WMAF alone does not warrant a spot on this list. But when every race has a partner, and the only Asian man in the film is a newspaper store clerk, it’s a different story (emasculation).
Little Fish 2005 – Asian man has drug problems and lies to his girlfriend.


Team America: World Police 2004

Trey Parker (Dir.) and Matt Stone would be nothing without Asian men (like Seth McFarlane). South Park is a show dedicated to shitting on Asian men. The way they target Asian men is different from the way they target all other groups. It is just pure hatred. It’s not satire. He doesn’t lampoon Asian-male stereotypes, he perpetuates them.

In this film, Kim Jong-Il (voiced by a white) is the primary antagonist (Yellow Peril) vs. the protagonists literally called “Team America.” He plans on destroying the entire world during a peace ceremony (deceptive Asian men). Again, there is this belief among Westerners that Yellow Men are the greatest threat to humanity. Too bad Asia has never fucked with the rest of the world (can’t say the same for the West). A lot of Muricans transmute their white guilt and use Asian men as scapegoats due to their fragility.

Kim also is implied to have an obsession with white women (he has several pictures of old school white actresses). Reminds me of this. He even puts one of the blonde female protagonists in a traditional Chinese dress when she angers him by mentioning how lonely he must be (as are all Asian men). And as usual, it’s the white woman who kills the Asian man.

It is also revealed that he is actually an alien cockroach and that there are others like him. This really isn’t satire since Trey Parker believes that Asian men are inhuman aliens and considers them accents on his and Stone’s TV show. No other group is treated in this one-dimensional demonized way by Parker. Parker also voices Kim in an overblown accent, who at one point sings this. How unoriginal do you have to be to use the “L” and the “R” joke?

This film also depicts Kim as being shorter than the white puppets, Asian men as incompetent. Parker isn’t afraid to depict Yellowface (unironically). Asian men also speak in gibberish Chinese, Japanese, and Korean. One Asian woman, while singing in gibberish “Asian,” says “chink.” Chinese flute music is also used to introduce Kim. Furthermore, by obligation, several Asian men are killed. Matching the words “dog eat dog” with Japan blowing up was not appreciated either. Right after that scene, Hollywood is blown up (white fragility). The vast distance from Murica to Asia is also emphasized a.k.a. The Far Orient.

The thing is, a lot of this isn’t even satire. Sure there’s some, but everything listed here is not. There’s nothing ironic about it. It’s just actual racism from Parker. Morons like to throw that buzzword around instinctively without really understanding what satire actually is as an act of fragile self-defense. But a lot of the anti-Asian-male sentiment in this movie is exactly that, and cannot be construed as actual satire (see: Ted [2012], etc.).

Crash 2004

Korean  guy is a human trafficker. Is called “Chinaman.” The scene where he gets run over is literally called “Foreign Obstacle.” Pretty apt description.

In a film that tries to address race, it unironically fails with Asian men. Which is probably why it won 3 Oscars. But Bill Maher may have a different take.

Mean Girls 2004Asian male math nerd. See: Kicking & Screaming (2005).
Catwoman 2004 – Asian man is an evil accountant (double stereotype). 
Collateral 2004 – While other antagonists speak English and have some back story, Korean gangsters only speak Korean and are killed off right away. Head honcho is conventionally unattractive via casting.
The Perfect Score 2004 – Asian guy is at first a nuisance because he has to be included in on the heist due to him hearing about it. He is a computer whiz, gets the highest SAT score in the county, and becomes a video game designer (stereotype).
C.S.A.: The Confederate States of America 2004 – Rated RAAM for Racism Against Asian Men (2 counts). Also, too much Canada-worship; Canadians are some of the most racist people on the planet against Asians (see: r/canada, “nip-tipping”).
Ocean’s Twelve 2004 – The “Amazing” Yen is a stereotypical Chinese acrobat
Sorry for Kung Fu
2004 – Croatian film. Story of white single mother of hapa son.
The Stepford Wives 2004 – Asian man is part of the crew that replaces real wives with subservient robot wives. Movies depict this myth of Asian male misogyny, even though we are the most gender egalitarian on all metrics according to research. See: Get Out (2017).
Alfie 2004 – Emasculation of Asian man (source).
The Manchurian Candidate 2004 – Why remake this movie with such a racist history?


Lost in Translation 2003 – Westerners fuck around in Japan. Using stereotypes to its advantage is an essential feature of this film. Scarjo is shown to hate Asian men here (like A LOT of movies she’s in).

The Last Samurai 2003

This enjoyable film (which makes it all the more deadly) unfortunately manages to weaponize almost every Asian-male stereotype in the book. But what does it matter to the audience, who takes special revelry in the gore of disembodied Asian men and is expected to sympathize with a hunter of Native Americans? Not to mention also how fucking ridiculous the film is: Tom Cruise learning how to become the “last” samurai in one year is believable as “muh Asian patriarchy,” which Hollywood loves to tote.

But for the woke Asian male, this film shines an important light on the crucial question of assimilation. A film portraying the wildly successful assimilation of a white man into an Asian society/way of life/household, presents a stark contrast to the apparatus of assimilation for Asian men in Western countries.

The dilemma, catch-22 is that Asian men who attempt assimilation are met with hostility as they appear to be competing with the dominant race and to be attempting to break stereotypes that were established to benefit the dominant race. The flip-side of that coin is that Asian men who reject or have given up on assimilation are lampooned as fulfilling stereotypes, being foreign and thus hostile, and/or rejecting the dominant culture.

But studies (e.g. this) show that Asians get hired 28% less than white counterparts due to their last names. White Americans say they hate us because we do not assimilate, but the results of the study were true regardless of first names, which we often Anglicize in order to be accepted. The number is probably way higher for men.

Unlike the protagonist of this film, there is no way to win for us.

Kill Bill: Vol. 1 2003

Uma Thurman kills hordes of Asian villains known as “The Crazy 88” all by herself (emasculation). There is much revelry in the killing of these pests. Perhaps inspiration for Scarjo’s roles in Lucy and Ghost in the Shell. (See: Elektra [2005].)

At one point, she spanks a younger-looking adult member, and scolds him as she would her son. This is an example of Asian male infantilization. Infantilization is a subset of emasculation. It pervades the industry because Hollywood cannot fathom an Asian man. The only way Asian males can be tolerated is they are infantilized, emasculated, and thus asexualized.

In another scene, she plucks out one of their eyes. Hollywood loves making in-jokes regarding Asian-male eyes (see: Minority Report, Blade Runner, Slow West, Push, Blindness, Cars 2, Big Short, Rogue One, Men in Black 3, The Man with the Iron Fists, The Goods: Live Hard, Sell Hard).

And don’t forget Pai Mei, the swordsmith, who perpetuates the stereotype of the Mysterious Old Asian man.

School of Rock
2003 – Asian nerd child mocked. Similar to “Bing Bong” from Kicking & Screaming two years laterIn other words,  Asian male infantilization. Infantilization is a subset of emasculation. It pervades the industry because Hollywood cannot fathom an Asian man. The only way Asian males can be tolerated is they are infantilized, asexualized, thus emasculated.

The Matrix Reloaded 2003

The Key-master is an old, helpless man who is in constant need of rescuing (emasculation). His childish antics cause problems for everyone (infantilization).

Evil Asian henchman is also killed with a spiky mace to the head.

Baywatch: Hawaiian Wedding 2003

In the original show (1989-2001), it’s Asian-male-antagonist “Sato” vs. Hasselhoff (lead protagonist). Asian man harasses protagonist and threatens protagonist’s son. Asian man on parole also stabs his ex-wife. Takes people hostage. Loses fight with protagonist and goes back to jail.

Sato is the main antagonist of this film. He captures protagonist’s friends. In the end, Sato is killed when protagonist pushes him through a motor.

Out of all the characters in the show, they just had to make this movie about the evil Asian guy. Just proves how profitable Asian-male-villainization is, how much people love it.

The Matrix Revolutions 2003 – The Key-master.
Japanese Story 2003 – Australian film. Japanese man cheats on his wife with white woman. He drowns. (See: The Ballad of Little Jo [1993].)
Fear and Trembling 2003 – French film. All Japanese men are patriarchal and emotionless (dehumanization).


The Transporter 2002

Asian man is a human trafficker (villainization, stereotype). His daughter shoots him. She is paired up with white male protagonist, Jason Statham.

Directed by anti-Asian-male Luc Besson (see: Lucy, Leon: The Professional, Fifth Element).

Minority Report 2002

Tom Cruise gets an eye from the black market. We find out it belonged to a Japanese man named “Yakamato” (implied violence against Asian men). Hollywood loves making in-jokes regarding Asian-male eyes (see: Kill Bill: Vol. 1, Blade Runner, Slow West, PushBlindness, Cars 2, Big Short, Rogue One, The Man with the Iron Fists, Men in Black 3, etc.).

The Perpetual Foreigner stereotype is also perpetuated when with his new eyes, as Cruise goes into a gap. Using eye-recognition tech, an ad refers to Cruise as “Mr. Yakamoto.” The scene only works with the understanding that the farthest thing from a normal human being (like Cruise) is an Asian man. (See: The Truman Show).

Confessions of a Dangerous Mind 2002 – “See, I believe in the brotherhood of man. Last week I got fucked by an Oriental,” says a white woman (source). George Clooney’s directorial debut. Good goin’, George. 
Gangs of New York
2002 – Chinese with their queues get treated like animals, are rough-handled, and are ordered around by protagonists several times throughout the film, and not one of them has a line (emasculation, dehumanization).
Die Another Day 2002 – James Bond kills more Asian men. E.g. “Zao.” Yes!
Dirty Pretty Things 2002 – Asian man gives out pills under-the-table. See Dallas Buyer’s Club (2013).
Samouraïs 2002 – Asian-male demon rapes an Asian woman. She loves a white male (source).
The Quiet American 2002 – Viet man “Hinh” is villain
Kung Pow! Enter the Fist 2002 – Asian men are stereotypical kung fu masters. It’s a movie where violence against and the pain of Asian men is funny. When people see Master Tang’s leg being pecked at by an eagle, you are supposed to laugh at his pain.


Saving Silverman 2001Old (desexualization) Asian man seen jerking off. Has unnaturally heavy accent. He thinks he’s going to get lucky but ends up falling down the stairs, having injured his scrotum in the process. Fucking disgusting. 
The Fast and the Furious
2001 – Asian men and their gangs are the villains here (Yellow Peril).
Pearl Harbor 2001 – Japs are the enemy! They’re all the same and they have no emotion!
Romeo Must Die 2001 – Another film about Asian gangsters. Additionally: “Afropean female has more romance with her brother (she actually kisses him) than with her East Asian lover (they do hold hands)” – Ethnic Muse. They removed the kiss scene due to unfavorable reactions from test audiences.
How High 2001 – Overly-accented Asian man is objectified as an object of comedy to be mocked at. He rocks BUFU (inversion of FUBU), vomits with supernatural intensity, fondly remembers his dogs humping, jerks off in front of others, etc. Distributed by Universal Pictures.
Silent Force 2001 – Undercover Asian-female agent has sex with Asian-male criminal to get closer to Chinese gang. Turns into a WMAF ending (source).
Rush Hour 2 2001 – Really?
The Royal Tenenbaums 2001 – “Yasuo Oshima” an Asian man that wears glasses who is one of the men that “Etheline Tenenbaum” rejects. The other two are a frozen-over white man and a eye-patch-wearing white man. Each suitor has something odd about them. The quality of being an Asian male is apparently strange. His name is also completely foreign (Perpetual Foreigner). There is a strange moment of symmetry in a scene involving Etheline’s daughter “Margot.” In this scene, white female Margot makes out with a white man. The three subjects in the shot are the two lovers and one Asian man in the background. He is literally a decorative piece in director Anderson’s mise-en-scene. Another Asian male that is featured in the film is an awkward-looking archaeologist who wears glasses.
Donnie Darko 2001 – Asian man at the meeting the only one without female partner (asexualization).
Ocean’s Eleven 2001 – The “Amazing” Yen is a stereotypical Chinese acrobat


Art of War 2000 – Canadian-Amerian film. African-American man and Asian woman vs. Asian officials and Triad (because that’s what white liberal progressivism looks like). Lots of Asian-male deaths in the movie; for example, black man kills Asian man after said Asian man kills white woman.
The Family Man 2000 – In an early scene, Nic Cage’s Af-Am guardian angel is accused of lying by an accented Asian-male convenience store owner while another Old Asian man watches (geriatrification is a form of asexualization). Further spreads Anti-Black Asians Myth (source).
Chain of Command 2000 – China tries to start WWIII with Murica. White protagonist’s family is taken hostage by evil chinks and Asian men get killed.


Fight Club 1999 – “Raymond K. Hessel” is a white name. Yet here, an Asian man is cast as this character to create one of the most emasculating moments for Asian men in the history of film. He didn’t need to be Asian. In the book, nothing said he was. But the hatred against Asian men is just too strong for Fincher. Possible foreshadowing of Pitt’s tumultuous relationship with his Cambodian son?

Eyes Wide Shut 1999 – Depicts Japanese men as being small, makeup-wearing, and pedophiliac. Because Asian men are the ones who go to poor Western countries to start pedophilia rings. Riiiight. Kubrick film.

The Boondock Saints 1999 – Gay Asian man “Hojo” (Erasure of Straight-Asian-Male Identity) desperate for white man’s approval. Gets swatted like a fly and gets called a “fag.”

eXistenZ 1999 – Asian Male Body Horror is a thing. The movie’s most famous object (bone gun) is used to kill an Asian man working at a Chinese restaurant. Oh and there’s a dog. Cus Asians eat dogs. Don’t tell me it’s a coincidence. Coincidences do not involve cinematic blocking, writing, and directing.

Bridge of Dragons 1999 – WMAF must take down evil Asian man.
Anna and the King 1999 – A beautiful tale about a white woman that goes to Asia and does whatever she wants and gets away with it. A breathtaking depiction of a fierce white woman battling Asian misogyny. Her teachings inspires the end of slavery in Siam (Thailand), and the radical anti-imperialist primary antagonists learn a lesson about messing with Westernization. Film garnered unfavorable reviews due to its portrayal of an unabashedly heterosexual and powerful Asian man. Read the reviews; the disgust and discomfort of seeing an Asian-male love interest is palpable. 
The Corruptor 1999 – Chinese are evil. Interesting how Marky Mark is in this movie. He blinded an old Asian man in one eye and call him a “gook.”
Man on the Moon 1999 – Asian men shown to be liars. Main character goes into get experimental treatment for cancer, but is swindled by a lying Asian man selling snake oil.
Star Wars: Episode I – A Phantom Menace 1999 – Pesky and unlikable male aliens on Naboo theorized of being Asian. Jar Jar Binks sometimes theorized to possibly be Asian.


Rush Hour 1998 – Really?
Mulan 1998 – An animated film that does Yellow Peril (not with the Chinese), but the Huns. Huns don’t even look human. Out of the thousands of stories Disney could have adapted, they chose to make a story about how an Asian woman saves China. A Chinese man saving China? No way. Unmarketable. They chose to adapt a story about how an Asian woman beats the Asian-male patriarchy(!), in a world where myths of the Asian-male patriarchy still exists and harm Asian men. Another Disney rip-off of an Asian story (Lion King [1994] obviously isn’t/can’t be on this list, but I will mention it here that it plagiarized significant elements from Kimba the White Lion [1965-1967]).
Enemy of the State 1998 – Asian woman excited to see Will Smith disrobe while her Asian husband is right there (source). (See: Get Out [2017].)
Lethal Weapon 4 1998 – Jet Li ninja assassin (stereotype). Also, random Asian man cheats on wife with her sister (source).
The Truman Show 1998 – In a scene used to show how far-reaching the eponymous Truman Show is, an Asian man is shown watching it. Asian men have always been used (like in the 2017 Tide commercial) to show how far-reaching something is. Because we are in the Far East, the farthest thing possible from The West.
Meet Joe Black 1998 – Subordinate Asian man workin’ in the kitchen
American History X 1998 – Only Asian man is one getting robbed and abused in his grocery store.
Slappy and the Stinkers 1998 – Asian man plays stereotypical Asian Professional Opressor; this time, as the headmaster of an academy. One of the chief antagonists of the film that conditions children to hating Asian men.
Pi 1998 – Asian man shown to be doing Tai Chi (stereotype)


Donnie Brasco 1997

Undercover agent (supposed good guy) doesn’t take off his shoes when a male Japanese restaurant worker asks him to. There is absolutely no reason for him to do this.

One of the gang members gets impatient, and so, the entire gang, including the undercover agent beat him to a bloody pulp.

Another bout of senseless violence against Asian man. Perhaps I’m seeing something that the writer or director never had the balls to do, but always wanted to.
Austin Powers: International Man of Mystery (1997) – “Random Task” is a parody of “Oddjob” from Goldfinger (1964). He is told that he “fight[s] like a woman” (Emasculation). He is subjected by the Penis-Enlargement Pump (Asian dick joke) and is subdued.

Contact 1997 – Near the end, they go to Japan. Men are shown to be robotic and acting stereotypically.
The Fifth Element 1997 – Only Asian male represenation by old man selling noodles. Directed by anti-Asian-male Luc Besson (see: Lucy, Leon: The Professional, Transporter).
Bloodsport III 1997 – Mystical Asian man “Sun,” who helped white protagonist beat up other Asian men in the film’s predecessor, is killed.
The Game 1997 – Rated MRAAM for Mild Racism Against Asian Men (7 counts). Fincher definitely has an anti-Asian Male fetish (a la Fight Club). Example: Weird (otherization) Asian men in the kitchen of an Asian restaurant (stereotype).
Mortal Kombat: Annihilation 1997 – Yellow Peril
Red Corner 1997 – WMAF vs. evil Chinese men
McHale’s Navy 1997 – Asian man plays technical expert (sterotype)
Seven Years in Tibet 1997 – Brad Pitt tutors the young Dalai Lama. #whitemansburden
The Pest 1997 – Protagonist dons Yellowface. Twice.


Fargo 1996 – Steve Park plays a weird Asian guy (who turns out to be mentally insane) who unsuccessfully tries to seduce a white woman who thinks the proposition is laughable. Asian men are always punished for being straight (Wolverine, X-Men: Days of Future Past, Now You See Me 2, Pirates of the Carribean: At World’s End, etc.). A Coen Brothers film (see: A Serious Man [2009]). Asian man is nothing but a plot device. What proves this is racist is that it’s a colorblind role, but the creators simply just had to make him Asian.

From Dusk Till Dawn
1996 – Asian adoptee a.k.a Asian male infantilization. Infantilization is a subset of emasculation. It pervades the industry because Hollywood cannot fathom an Asian man. The only way Asian males can be tolerated is they are infantilized, asexualized, thus emasculated.
Danger Zone 1996 – White guy (Downey, Jr.), Greek Murican, and a white female WHO officer vs. mercenary “Chang.” Set in Africa. In the end, Chang tries to drown helpless WHO officer woman, but he is burned/explodes to death.
Bloodsport II: The Next Kumite 1996 – White male gets betrayed by Asian criminal. He gets put in prison and is mercilessly tortured by an Asian man named “Demon” who hates our white male protagonist especially. White man then vanquishes a bunch of Asian men through martial arts.
The Phantom 1996 – Superhero film that features a Fu Manchu antagonist. The Fu Manchu antagonist dies. The protagonist also has a Filipino manservant. 
The Cable Guy
1996 – Weird (otherization) Asian guy at party. Casting directors know exactly what they’re doing.


Picture Bride 1995

Asian man’s death used to get the story’s ball moving. Protagonist “Riyo” meets the Asian man “Matsugi” that she’s been arranged to marry; Matsugi is way older than the picture that was used (she got catfished in 1918). She rejects the weird old Asian man’s sexual advances. They also argue. Matsugi starts drinking and gambles to win money to buy another arranged marriage. Matsugi chases her when he suspects she is cheating (she is not). He starts to dislike her once he finds out Riyo’s parents had tuberculosis. After Riyo runs away, she comes back to an inebriated Matsugi and helps him to bed. He says he was scared that he was alone again and they make up. He actually becomes nicer to her once he realizes she can run away/he can’t get another wife.

Riyo is also oppressed by Eurasian-looking field supervisor “Antone” while other Asian women console her. One of those Asian women who helps her, “Kana,” has a husband (“Kanzaki”) that beats her and gambles. Kana advises Riyo to idolize a white man as a romantic partner. Antone also threatens Kana that he’ll use whips on the workers like he used to. Antone also ignores Kana’s request to have the women’s children closer to them. Kana and her child die in a fire due to Antone’s rushing the burning process or sugarcane harvesting. Antone mocks her when Riyo starts singing in the fields, her act of rebellion and triumph.

As expected, the film is directed and produced by Asian woman. Released by Miramax.

The Usual Suspects
1995 – “Mr. Kobayashi” a.k.a white-washed Yellow Peril.
Beyond Rangoon 1995 – American tourist (white woman) kills Asian man that tries to rape her. 
Strange Days
1995 – Opener is the white protagonist watching people kill Asian men (called “chinks” in the film) at a restaurant. The glee this guy had watching this was disturbing. Also, weird Japanese guy is another character.
Nixon 1995 – Humanizes Nixon, who killed a million Indo-Chinese, through using the “monster” Mao as a foil…? >:/. That’s pretty pathetic. Also, fuck Anthony Hopkins, and Westworld, the most unabashedly anti-Asian male American TV show currently in broadcast.
La Senorita Lee 1995 – Short film. Asian woman must choose between her Latino man or an Asian doctor her parents are forcing on her (source). Probably spawn of The Joy Luck Club.
Father of the Bride Part II 1995 – Asian man plays extremely effeminate (emasculation) assistant (subservience) to a white man. Trope seen in cultural products such as Entourage (2004-2011).
The Hunted 1995 – White man attacked by ninja clan, who target him due to his association with the Asian woman he slept with (Asian Male Misogyny Myth). Ninja clan is led by hapa (only part-white Asian can have a leadership skill). Movie also features samurais and Yakuza (that’s all we can be). One of the yakuza leaders also buys an Asian woman from her uncle (Asian Male Misogyny) and then kills her. Kinjo avenges her because he’s part-white and thus somewhat moral. Another Asian man uses white man as bait. Gets killed. White man kills trained ninja leader hapa to save Asian girl (white savior).
Casino 1995 – Japanese antagonized as someone who sucks the money dry from the protagonist’s casino. Calls him a “whale.” I caught that, Scorcese.
Mortal Kombat 1995 – Yellow Peril
Tank Girl 1995 – James Hong plays cybernetics doctor (double stereotype). (See: Blade Runner [1982].)
Midnight Man 1995 – Yellowfaced detective vs. evil Cambodians
Bad Company 1995 – James Hong as an Asian bookie. Asian merchant/seller stereotype. (See: The Killing of a Chinese Bookie.)
Thunder in Paradise 3 1995 – Hulk Hogan movie. Japanese man plays “Mason Lee” who takes a school hostage.


Leon: The Professional 1994 – Hordes of Asian male gangsters (villainization). Called “chinks” in the film. Directed by anti-Asian-male Luc Besson (see: Transporter, Lucy).
The Seventh Floor 1994 – Psychotic Asian killer tries to kill white woman (source). Australian production. Not surprised. Additionally, an internet forum also pointed out a crucial point: the danger of this film is that it shows that even an assimilated Asian man is a threat.
Kickboxer 4: The Aggressor 1994 – The Kickboxer franchise returns to form as “Tong Po,” the Yellow-faced Asian primary antagonist makes a return. In this film, the white man who was framed for murder must save his wife from the evil Tong Po, a murderous maniac. As the misogynistic Asian man he is, Tong Po also has many sex slaves. He also tortures a woman to death (“Darcy”).
Double Happiness 1994 – Canadian The Joy Luck Club knock-off starring Sandra Oh. Once again, pushing the narrative of a strict Asian father (who emasculates his own son by disowning him) who only cares about money “oppressing” an Asian woman. Said Asian woman hates going on arranged dates with rich Chinese men. Despite her father wanting her to marry a Chinese man, she has the hots for an awkward white male and has a white female friend. Another case of self-hate.
The Shadow 1994 – Ex-opium dealer played by Alec Baldwin vs. semi-white-washed Genghis Khan descendant/villain (who wakes up from a sarcophagus). More Yellow Peril. 
Pulp Fiction 1994 – Cartoon making fun of Innuits (conflated with Asian male stereotypes) is a focal point of a scene involving Christopher Waken talking about greedy “gooks.”
The Next Karate Kid 1994 – Mystical Old Asian Man, Mr. Miyagi (otherization + asexualization via geriatrification).
Speed 1994 – Cowering Asian man in the elevator (emasculation)
Deadly Target 1994 – White men and Asian woman take down Asian-male gangsters.


The Joy Luck Club 1993

According to this adaptation of Amy Tan’s novel, Asian men are all cheating, undesirable, abusive, polygamous, racist assholes that can’t ever satisfy a woman. On the other hand, white men make better husbands.

Amy Tan’s novel was one of the seminal pieces of cultural product in terms of peddling the “Asian male patriarchy/misogyny” Myth. While Asian men are the least misogynistic group of males, the aforementioned myth is used frequently as faulty justification for why white men are better.

Robocop 3 1993 – Backdrop: Detroit.

Evil Japanese CEO tries to oust people out of their home. He develops ninja androids with Asian faces that all look the same (triple stereotype) called Otomo to fight rebels. (See: Terminator Genisys [2015].) Otomo is seen meditating because robots meditate. He is beat by Robocop as his head is blown off and he keeps swinging his sword without a head (dehumanization). In another scene, Asian Male Body Horror is used. In the end, Evil Japanese CEO literally kowtows to Robocop and others. Oh, and the Asian chick helps the heroes take down evil Asian men.

Eerily reminiscent of hate crime incident against Vincent Chin.

Menace II Society 1993 – Korean man is shot dead. Korean man is depicted as a racist, dishonest (with money), accented liquor store owner. The murder is caught on video, and is a source of entertainment for characters.
Wayne’s World 2 1993 – James Hong at it again, this time, as an Asian man who, turns out, knows kung fu.
Rising Sun 1993 – White prostitute killed. Japanese man is an initial suspect (see: Wolverine, X-Men: Days of Future PastNow You See Me 2, Pirates of the Carribean: At World’s End, Fargo, Office Christmas Party, etc.) This Japanese man is killed by other Japanese. They just can’t make a movie with the Japanese in it without the Yakuza who bury a white man in wet concrete, and immoral businessmen who may or may not have been aware of the cover-up of the prostitute’s murder and may or may not have punished a scapegoat to escape implication.
Falling Down 1993 – White protagonist shits on Asian convenience store owner (stereotype) for not being able to speak proper Engish, like confusing “L”s and “R”s. Har har. (See: Lucy).
Teenage Mutant Ninja Turtles III 1993 – Due to a technicality of travelling through time, he switches clothes with a woman (emasculation). His father is an oppressive Asian man/warlord, whom an Asian female rebel is trying to overthrow. Additionally small Asian boy needs saving. Warlord is eventually vanquished in a comedic way (emasculation). Apparenty, Murican kids are able to relate to talking turtles more than Asian men.
The Ballad of Little Jo 1993 – Asian manservant rescued from lynching by a white woman who pretends to be a man (emasculation). He eventually falls sick and dies. (See: Japanese Story [2003].)


Talons of the Eagle 1992 – Main antagonists are Chinese gangsters. Also features old Asian kung fu master stereotype, who guides the protagonists.
The Lover 1992 – French film. Wealthy but awkward Asian man who lacks confidence has an affair with a 15 year-old white girl. Girl says the man’s body lack signs of masculinity (source).
American Me 1992 – Asian man “El Japo” is a gang member (villainization).
Kickboxer 3: Art of War 1992 – Asian sidekick to white man. (See: the previous Kickboxer films about a white man vs. a Yellow-faced Asian man “Tong Po.”)


Showdown in Little Tokyo 1991 – Asian men are, against, criminals in need of vanquishing by a white male. The attempt to depict Asian men as gratuitously misogynistic to (white) women, is so over-the-top, it’s comical. Part-Asian Brandon Lee is one of the protagonists, however, because he at least has some good (white genes) in him.
Double Impact 1991 – Triad squad kills protagonists’ parents. (One of the protagonist’s name is literally Chad, lol.) After one of their girlfriends is taken hostage and torture, the protagonists kill a bunch of Asian men.
Samurai Cop 1991 – Japanese villain is a character that no one wants to fuck, keeps trying to hook up with a white woman who really loves the white protagonist, and brings crime to a peaceful town.
A Thousand Pieces of Gold 1991 – Asian girl is sold by her family. She is sold to an old Chinese merchant. He tries to sell her virginity off to the highest bidder. White man swoops in and prevents transaction. Pissed off Chinese man says she needs to work to pay off the money he would have gotten from selling her virginity. At one point, Chinese man sexually assaults the Asian girl. She marries the white man and lives happily ever after.
Father of the Bride 1991 – Asian man plays extremely effeminate (emasculation) assistant (subservience) to a white man. Trope seen in cultural products such as Entourage (2004-2011).
Kickboxer 2: The Road Back 1991 – White man vs. primary antagonist is a Yellow-Faced Asian man  “Tong Po.”
Teenage Mutant Ninja Turtles II: The Secret of the Ooze 1991 – Yellow Peril. Murican kids are able to relate to talking turtles more than Asian men.
Mission of the Shark: The Saga of the U.S.S. Indianapolis 1991 – Japs attack and heroic Murican medical soldier is heroic (see: Hacksaw Ridge [2016]).
Mystery Date 1991 – Mysterious Old Asian Man stereotype via “Fortune Teller” character.


Teenage Mutant Ninja Turtles 1990 – Yellow Peril. Murican kids are able to relate to talking turtles more than Asian men.

Come See the Paradise 1990

White male falls in love with Japanese woman (who rejects Asian man) in late 30’s California. Her “racist” Japanese parents forbid her from seeing this man, while the state law forbids miscegenation. That’s right, somehow Asian “racism” is at equal footing with a fucking legal system, that his own people set up. LOL.

The two lovers elope to Seattle. When WWII breaks out, the “racist” Asian father is put into an internment camp. LOL.

Goodfellas 1990 – Only Asian males are chefs in the kitchen

Gremlins 2: The New Batch 1990

“Mr. Katsuji” is a stereotypical Japanese tourist, annoying everyone by taking pictures incessantly. He is played by the “Long Duk Dong” guy.

Don’t forget about “Mr. Wing,” who sells the Gremlin. Mysterious Asian stereotype. He also dies in this movie.

Jacob’s Ladder 1990 – Viets are the enemies!


Tango and Cash 1989

Chinese are criminals. Features an interrogation scene where a white man emasculates an Asian man. The session is called “English 101.” One of the most emasculating scenes in film history (may have inspired the one in Fight Club).

In one deleted scene, after Cash vanquishes a Chinese assassin, he says, “I hate you karate guys.”

License to Kill
1989 – Two Hong Kong Narcotics Bureau officers get in the way of Bond’s plan; they are eventually killed off.
Kickboxer 1989 – White man (Van Damme) beats up Asian men. Primary antagonist is a Yellow-Faced Asian man  “Tong Po.” (See: Bloodsport [1988]; Terror of the Tongs [1961].)
UHF 1989 – The Asian actor who played “Long Duk Dong” here plays a stereotypical martial artist. With an overblown accent… even though the actor speaks perfect English.
Kinjite: Forbidden Subjects
1989 – Japanese businessman, in imitation of a train groping he saw in Tokyo, gropes a white woman in LA. He runs away when she screams and in the process is beaten by a mugger. This same man loses his daughter to a gang and needs the assistance of law enforcement to get her back.
Gleaming the Cube 1989 –  Skater movie. White male lead’s Viet stepbrother is strangled to death after figuring out a conspiracy behind the efforts of a Vietnamese relief fund organization. The organization is actually smuggling weapons into Vietnam. It is headed by a Viet Colonel. One of his henchman follows the white lead; the henchman is killed by a white antagonist. White lead dates his dead Viet stepbrother’s girlfriend, who is the Colonel’s daughter. While lead gets chased down by Viet gang members. The white antagonist kills the Colonel, but everything works out and the WMAF couple lives happily ever after.
Black Rain
1989 – Michael Douglas goes to Japan to take out Japanese-male garbage
Do the Right Thing 1989 – Helpless, accented Korean shop owner begs to be spared.
The Last Warrior 1989 – White man must use the jungle to his advantage to kill the evil Japs hunting him.
The Vineyard 1989 – Asian man plays old man who kills young people for their youth. Directed by said Asian man…
The Karate Kid Part III 1989 – Mystical Old Asian Man, Mr. Miyagi (otherization + asexualization via geriatrification).
Family Business 1989 – Asian man plays immoral Professor.


Rambo: First Blood Part II 1988 – More Viets killed.
Bloodsport 1988 – White man (Van Damme) beats up Asian men. This film basically made Van Damme. Why? Cus Muricans love seein’ this shit. (See: Kickboxer [1989].)
Die Hard 1988 – Of course the Asian guy dies (why else would he be in the movie?). Not to mention the Asian henchman (subordination, villainization).
Braddock: Missing in Action III 1988 – Third movie in the series featuring a sadistic Asian-male military antagonist. This General kills Chuck Noriss’ wife and puts Noriss and Norris’ half-Asian son in a torture camp. The General captures missionary kids. Norris escapes with his half-Asian son kills countless Asian men and the General. Oh, and four people died in the making of this movie.
Bulletproof 1988 – Tagawa in a flashback is a “Thug.”
Twins 1988 – Tagawa as “Oriental Man.”


Full Metal Jacket 1987

Viet men are otherized throughout the film.

In the end, you are expected to sympathize with a dying Viet female soldier. Of course, the gender could never be reversed with an Asian man. You know the motto: “Rape the women, kill all the men”…

Revenge of the Nerds II: Nerds in Paradise 1987 – Veteran actor plays weird, Old Asian man, who is also written to be excessively disgusting and unappealing (desexualization via geriatrification and otherization).
Police Academy 4: Citizens on Patrol 1987 – Asian guy from Police Academy 3 (1986).
China Girl 1987 – Asian men are gangsters in this WMAF film.
Good Morning, Vietnam
1987 – Viets are so weird man! Good going, Robin Williams!


Robocop 1986 Asian man part of antagonist’s gang. Gets shot and dies. 
Platoon 1986 – Viets are the enemy. White and black soldiers take revenge on evil Viets for lynching an Af-Am man. Asian male horde villainization (source).
Big Trouble in Little China 1986 – James Hong is a LITERAL Fu manchu with long-ass Chinese nails.
Police Academy 3: Back in Training 1986 – Incompetent Asian man is just an object of comedy for a string of anti-Asian-male “jokes.”
Kung Fu: The Movie 1986 – David Carradine movie. Stereotypes abound.
The Karate Kid Part II 1986 – Mystical Old Asian Man, Mr. Miyagi (otherization + asexualization via geriatrification).
The Golden Child 1986 – Eddie Murphy movie. Features “Doctor Hong,” the obligatory Mystical Old Asian Man.
Armed Response 1986 – David Carradine movie. Asian men are just yakuzas and Tongs… again.


The Goonies 1985 – Asian nerd.
Missing in Action 2: The Beginning 1985 – Sadistic Viet Colonel tortures Murican POWs. Goes back on deal and gives sick POW opium instead, causing him to die. The Viet Colonel also betrays his French partner-in-crime. White male protagonist (Chuck Norris) kills hordes of Asian men.
Year of the Dragon 1985 – Asian men are rapists, misogynistic, and Triads. Also features WMAF. Fuck this movie.
Brazil 1985 – In the climactic battle, the white man must overcome a samurai. What is this, The Wolverine (2013)?
Pray For Death 1985
Remo Williams: The Adventure Begins 1985 – Mystical old Asian man (stereotype, desexualization) lacks empathy and is a dick to our white protagonist.


Sixteen Candles 1984 – Long Duk Dong. Need I say more?
Indiana Jones and the Temple of Doom 1984 – Short Round. Asian male infantilization. Infantilization is a subset of emasculation. It pervades the industry because Hollywood cannot fathom an Asian man. The only way Asian males can be tolerated is they are infantilized, asexualized, thus emasculated.
The Karate Kid 1984 – Mystical Old Asian Man, Mr. Miyagi (otherization + asexualization via geriatrification). This is some Pai Mei shit.
Missing In Action 1984 – Chuck Norris must save Murican POWs still being held captive by an evil Viet 10 years after the war. He slaughters Viet men, using martial arts to fight them.
Gremlins 1984 – “Mr. Wing” sells the Gremlin in his Oriental shop. Mysterious Asian stereotype. Same bullshit trope of the Magical Orient seen in Wish Upon (2017), Freaky Friday (2003) (not on this list), Forbidden Kingdom (2008), etc.
Revenge of the Nerds 1984 – “Takashi” is a Japanese nerd (stereotype) with heavy accent (perpetual foreigner). Gambles (stereotype). Is told what a “hair pie” is by a white guy (sexless Asian stereotype).
Once Upon a Time in America 1984 – De Niro goes to an opium den staffed by Asian men.
The Adventures of Buckaroo Banzai Across the 8th Dimension 1984 – White-washing of Asian man.


A Christmas Story 1983 – Fa Ra Ra Ra at “Chop Suey Palace.” Asian men are always jokes.
Zelig 1983 – Pedo Woody Allen dons yellow face several times. In Magic in the Moonlight (2014), he makes Colin Firth don a Fu Manchu Yellowface.
Girls of the White Orchid 1983 – Asian men try to rape white woman. Asian men are sex traffickers of white women (source).
High Road to China 1983 – White male helps defend Asian village from Asian warlord. He is vanquished.
The Last Ninja 1983 – They does the last [insert Asian warrior type] have to bea white male? (Source).
Breathless 1983 – They literally casted James Hong as a grocer. Because that’s all Asian man can be.
WarGames 1983 – Only Asian male representation in the form of computer scientist nerds


Blade Runner 1982 – James Hong plays weird-ass (asexualization) doctor (stereotype) who by his own words, only does work on eyes. Hollywood focuses on the Asian male eye way too fucking much (e.g. Slow West, Kill Bill Vol. 1, Minority Report, Blindness, The Man with the Iron Fists, Cars 2, etc.).
First Blood 1982 – Beginning of the Rambo franchise. Viets are evil and they tortured our protagonist! On a side note, R.I.P. Vincent Chin.
The Year of Living Dangerously 1982 – Yellowface of Asian man by a white woman. (See: Dr. Strange).
Conan the Barbarian 1982Yellowfacing by one of the roles
Star Trek II: The Wrath of Khan 1982 – Genghis Khan? Yellow Peril. Also Vulcans are Asian. C’mon.


Raiders of the Lost Ark 1981 – Yellowfaced henchmen (villainization of AM)
Hardly Working 1981 – Yellowface of Asian man.
Charlie Chan and the Curse of the Dragon Queen 1981 – Yellowface of Asian man
Thief 1981 – Chinese waiter speaking in an accent and shit grammar (stereotypes).


Flash Gordon 1980 – A Fu Manchu called “Ming the Merciless” is the anatagonist in this story about an American football player (symbolic of America). He is merciless because he is Asian and thus has no humanity. Inspired Seth McFarlane’s Ted (2012).
The Fiendish Plot of Dr. Fu Manchu 1980 – Dat Yellow Peril + Yellowface by Peter Sellers (as usual)
Airplane! 1980 – James Hong as the inscrutable Asian man.


Apocalypse Now 1979 – Viets are villains.


The Deer Hunter 1978 – Viets are villains
Revenge of Pink Panther 1978 – Peter Sellers dons Yellowface (again)


The World’s Greatest Lover 1977 – James Hong is literally “Yes man #3” (emasculation).
Close Encounters of the Third Kind 1977 – Screaming Asians made to look barbaric.
Star Wars: Episode IVA New Hope 1977 – Jawa traders are a stand-in for Asian men: Tiny, loud, speaks indecipherable language, and show their stinginess as a merchant race.


Network 1976 – Movie has an obsession with Mao Zedong
Murder by Death 1976 – Peter Sellers in Yellowface (as usual)
The Killing of a Chinese Bookie 1976 – White man kills Chinese gangsters. That’s it. Lol.


One of Our Dinosaurs is Missing 1975 – Yellowface of multiple Asian men


Chinatown 1974 – All Chinese are evil, untrustworthy, creepy, etc. Uncle Chan Veteran James Hong makes an appearance.
The Green Hornet 1974 – Bruce Lee reduced to an Asian male/House-chan sidekick (aka Subordination, Emasculation). The TV show was edited together and released as a feature film.
The Bunny Caper 1974 – In the film, a white woman tries to seduce an Asian official (as part of a game). All he can do is look at her exposed body/breasts like a mad dog with a goofy smile (creepy pervert steretotype), and can only respond with “Thank you, thank you” to her words. When she tries to have sex with him, he insists that they play ping pong (mind you the only words he knows are “Thank you, thank you”). She fails in convincing him, and they just decide to play ping pong (asexual Asian man stereotype). The Asian man is, again, objectified as an object of comedy.
The Man with the Golden Gun 1974 – “Nick Nack.” Note that little people also approach Asian men in terms of the nature of how they are depicted.


Lost Horizon 1973 – Yellowface of Asian man.


The Carey Treatment 1972 – Adaptation. White man saves an Asian man who accidentally killed a white woman during an illegal abortion.


McCabe & Mrs. Miller 1971 – White woman says, “I’m not fucking any Chinaman” around other white women/Asian woman. Somehow, they just had to emasculate Asian men in a fucking Western. Happens from time to time. Oh, a woman also says that “chinks” prefer fucking white women over other chinks. Smh.


The Aristocats 1970 – Watch this. Chopsticks, Chinese accent, and the jingle. You gotta start ’em young.
The Yin and the Yang of Mr. Go 1970 – Yellowface of Asian man


The Castle of Fu Manchu 1969


The Blood of Fu Manchu 1968
The Green Berets 1968 – Viet men are rapists (again). John Wayne movie (source).
Rosemary’s Baby 1968 – Asian man objectified; his sole purpose is to, as the perpetual foreigner, is to be foreign and to show how far-reaching the Satanist cult is.


You Only Live Twice 1967 – James Bond diguises himself as a Japanese. (See: Sherlock Holmes: A Game of Shadows [2011].)
Belle de Jour 1967 – Weird foreign Chinese man with foreign bug contraption pays for sex with white woman
The Vengeance of Fu Manchu 1967


Invasion 1966 – Aliens invade Earth. They resemble Asians.
The Brides of Fu Manchu 1966 – British/German film. How appropriate.
7 Women 1966 – Yellowface of Asian man.


The Great De Gaulle Stone Operation 1965 – Short animated film with villains “Weft,” “Wight,” and “Wong.” Drawn stereotypically Asian and says “Confusion” sayings (play on Confucian) (source).
The Face of Fu Manchu 1965 – British/German film. How appropriate. Britain dealt the opium, and Kaiser Wilhelm II fathered “Yellow Peril.”
The Return of Mr. Moto 1965 – Yellowface of Asian man
Genghis Khan 1965 – Yellowface of Asian man


Goldfinger 1964 – “Oddjob,” the henchman. Need I say more? (See: Austin Powers: International Man of Mystery [1997].)
7 Faces of Dr. Lao 1964 – Yellowface of Asian man


Dr. No 1962 – That’s right. James Bond started because of Yellow Peril. This is just a goofy-ass, cheesy-ass, Uncle Tom-having, East Asian-aesthetics-appropriating, Asian-male-misogyny-myth-propagating, Asian-male-expending, Yellow-Peril-fear-mongering, Asian-man-emasculating, Asian-dehumanizing (“With you disregard for human life, you must be working for the East”) pile of Anglo shit.
The Manchurian Candidate 1962 – Yellow Peril & Yellowface of Asian man
Satan Never Sleeps 1962 – Oppressed white priest in China harassed by Commies. Asian girl has the hots for him. Asian men destroy his little chapel. Asian man rapes Asian girl. Meanwhile, another white man saves everyone through self-sacrifice…
Brushfire 1962 – Asian men are rapists to be vanquished (source).
Majority of One 1962 – Yellowface of Asian man by Alec Guinness (Obi Wan Kenobi)
Breakfast at Tiffany’s 1961 – Mr. Yunioshi. Need I say more?
Flower Drum Song 1961
Terror of the Tongs 1961 – Yellowfacing of multiple Asian men by Christopher Lee (Saruman).
The Moutain Road 1960 – Yellowface of an Asian man.


Five Gates of Hell 1959 – Shares its lineage with a long list of films that feature Viet rapists (source).
The Inn of the Sixth Happiness
1958 – Yellowface of Asian man
The Bridge on the River Kwai 1957 – O.G. Sessue Hayakawa plays the evil Japanese (again).
China Gate 1957
Sayonara 1957 – Yellowface of Asian man
The Teahouse of the August Moon 1956 – Yellowface of Asian man by Marlon Brando
The Adventures of Dr. Fu Manchu 1956
The King and I 1956 – Yellowface of Asian man
The Conqueror 1956 – Yellowface of Asian man by John Wayne
Love is a Many-Splendored Thing 1995 – Its the oppressed white-male-hapa-couple vs. the “racist” Chinese!
Blood Alley 1955 – Yellowface of Asian man
The Left Hand of God 1955 – Yellowface of Asian man
Bad Day at Black Rock 1955 – Like many films, the death of an Asian man is but a plot device.
Three Came Home 1950 – Evil Jap tries to rape heroine; Japs kill and torture for no reason


Tokyo Joe 1949 – Asian man smuggles in war criminals in Japan and tries to start anti-Murican movement.
The Black Widow 1947 – Yellowface of an Asian man who vies for global domination.
Know Your Enemy: Japan 1945 – Propaganda film whose sole purpose was to villify the Japanese (source).  
First Yank in Tokyo
1945White man uses surgery to look Asian. Rescues American from the evil Japanese.
The Red Dragon 1945 – Yellowface of Asian man (source)
The Jade Mask 1945 – Yellowface of Asian man (source
Ziegfeld Follies
 1945 – Yellowface of Asian man
Scarlet Clue 1945 – Yellowface of Asian man (source)
Anna and the King of Siam 1944 – Yellowface of Asian man
Charlie Chan in the Secret Service 1944 – Yellowface of an Asian man
Charlie Chan in the Chinese Cat 1944 – Yellowface of an Asian man
Black Magic 1944 – Yellowface of an Asian man (source)
The Purple Heart 1944
The Dragon Seed 1944 – Yellowface of Asian man
Coal Black and the Sebben Dwarfs 1943 – Extremely anti-black film where “Murder, Inc.” is willing to kill “Japs” for “free.” Also shits on little people.
Little Tokyo, U.S.A. 1942 – Yellowface of Asian man
Prisoner of Japan 1942 – Yellowface of an Evil Jap (source)
Shanghai Gesture 1941 – Yellowface of Asian men (source)
Drums of Fu Manchu 1940


The Mystery of Mr. Wong 1939  – Yellowface of Asian man.
Island of Lost Men 1939  – Yellowface of Asian man.
Mr. Moto’s Last Warning 1939 – Yellowface of Asian man.
Mr. Moto in Danger Island 1939 – Yellowface of Asian man.
Mr. Moto Takes a Vacation 1939 – Yellowface of Asian man.
Mysterious Mr. Moto 1938 – Yellowface of Asian man.
Mr. Moto Takes a Chance 1938 – Yellowface of Asian man.
Mr. Moto’s Gamble 1938 – Yellowface of Asian man.
Think Fast, Mr. Moto 1937 – Yellowface of Asian man.
Thank You, Mr. Moto 1937 – Yellowface of Asian man.
The Good Earth 1937 – Yellowface of Asian man.
San Francisco 1936
Limehouse Blues 1934 – A white man Yellowfaces the role of “Harry Young” even though the actor who plays his wife is full Asian (Asian men are too unappealing). He runs a smuggling operation (stereotype). He falls for a white woman he gave a job to, and keeps tries to keep her financially dependent even when she wants to work elsewhere. The white woman falls in love with a white man. Young arranges for the white man to be killed. His angry Asian wife rats him out to the police. He sacrifices his own live to call off the hit on the white man and removes all association the white woman had with her criminal past doing work for Young. Now the white couple can live happily ever after.
Mysterious Mr. Wong 1934- Yellowface of Asian man.
The Painted Veil 1934
The Bitter Tea of General Yen 1933 – Backdrop is 1920’s China where white missionaries try to save the depraved locals during a time of Civil War (lol). General Yen, played by a white man, gives two white people trying to save Chinese orphans (lol) a form that ultimately gets their car stolen. One of them is Megan, who is detained by the General. She is abhorred by all the torture that the General is in charge of. Additionally, Megan indirectly helps the General’s concubine (actually a spy) relay info about the General’s war chest to an enemy. Having lost all his funds, the General is deserted. So he cries and kills himself with poisonous tea. Megan is suggested to have romantic inclinations toward the General.
The Son of Kong 1933
The Mask of Fu Manchu 1932
Shanghai Express 1932 – Devious Yellowfacing Eurasian “Chang” is interested in a white woman, but she is saved by a white man. After being knocked down by the white man, Chan is stabbed to death by an Asian woman. White lovers go on happily every after. 
The Secrets of Wu Sin
1932 – “Wu Sin” tries to control whom his niece marries. Pathetic reference to “sin” and Mr. Wu (1927).
The Hatchet Man 1932 – Yellowface of Asian man
Daughter of the Dragon 1931 – Yellowface/Fu Manchu
Chinatown After Dark 1931 – Chinese are evil
The Return of Dr. Fu Manchu 1930


The Mysterious Mr. Fu Manchu 1929
Mr. Wu
1927 – Yellowface. Chinese father kills daughter because she loves a white (British) man.
The Thief of Bagdad 1924 – Mongol female and Ahmed (Douglas Fairbanks) vs. Mongol men (source).


Broken Blossoms 1919 – Yellowface of Asian man
The Forbidden City 1918 – Yellowface of Asian man
Madame Butterfly 1915 – Yellowface of several Asian men
The Cheat 1915 – Sessue Hayakawa, Hollywood’s original sex-symbol is a villain here, asking, “Where the white women at?” He brands a woman and gets shot by her. Nothing has changed.

Dishonorable Mentions

[To Be Monitored]

Power Rangers 2017This film does not add to the movies list count. Adaptation of a Japanese IP.  My comments and judgment on the film coming soon. (See: Power/Rangers [2015].) In the meantime, notice anything?
Mayhem 2017 – This film does not add the movies list count. There are some red flags with the depiction of Yeun’s character here. Let’s not forget that the director, Joe Lynch, also directed the extremely anti-Asian-male Everly (2014). We will see. 
The Circle
 2017 – This film does not add to the movies list count. Tom Hanks, Emma Watson, John Boyega movie. In the trailer, only Asian male was a stereotypical nerd. We’ll see how this goes.
Blazing Samurai 2017 – This film does not add to the movies list count. Why?
Battle of the Sexes 2017 – One of the people at the Gambler’s Anonymous meeting was a disheveled Asian man (stereotype, bad optics).
Life of the Party 2018 – This film does not add to the movies list count. Comedy film starring Jimmy O. Yang who is always give shit roles. We’ll see how it goes.
Akira TBD – This film does not add the movies list count. Japanese IP. Anti-Asian-male Jordan Peele currently in talks of directing. Will be monitored.
Little Dragon TBD – This film does not add to the movies list count. Indian director to helm Young Bruce Lee biopic. We’ll see how it goes. But “Little Dragon”? Smh.

[Dishonorable Mentions]

Sophie and the Rising Sun 2017 – This film does not add to the list count. The white woman is an individual (“Sophie”), while the Asian man represents his whole, foreign nation (“Rising Sun”). As an AMWF film, it dealt with bullshit from investors (source).
Inside Out 2015 – This film does not add to the list count. During construction scene, one of the workers makes an overt reference (“Forget it Jake, it’s Cloudtown”) to Chinatown (1974). Writers celebrate, with the audience, a film that spread the myth of how unruly Chinatown and the Chinese are.
The Gambler 2014 – This film does not add to the list count. Insults Japan.
Stay 2005 – This entry does not add to the list count. Asian-male psychiatrist with glasses is generally emotionless. Says “neurotic stockbrokers pay better.” It probably wasn’t conscious stereotyping, but it’s likely that the writer’s subconscious belief that Asians are greedy could have played a role in the creation of this scene. How ironic is it then when you find out that the Asian psychiatrist was imagined by a protagonist (Ryan Gosling)? The real one had no glasses and was not a doctor. Sidenote: Within seconds of the film’s opening, a bike-riding man with ninja-like face gear cuts off and pisses off a protagonist (Ewan McGregor). Everyone is startled.
The Life Aquatic with Steve Zissou 2004 – “Bobby Ogata” is stereotypically silent. A part-Asian was cast because Wes Anderson cannot fathom full Asian men. His position in the Zissou crew is the “frogman.” While that is an actual word used to describe tactical scuba divers, was it coincidence that the Asiatic man was selected to be called “frogman”? He’s just another prop/token in a Wes Anderson movie. Asian men also only hang out with Asians at the opening ceremony (stereotype).
Harry Potter and the Chamber of Secrets 2002 – Japanese golfer joke. Deleted scene.
Office Space 1999 – This entry does not add to the list count. Asian extra placed all the way in the back (as usual). Deliberate choice. Asian woman on the other hand gets prominent placement. Protagonist and his gf watch kung fu movies with stereotypical Asian men.
Alien 3 1992 – This film does not add to the list count. Stereotypical Asian worker from the evil Weyland-Yukitani Corporation.
Aliens 1986 – This film does not add to the list count. Yellow Peril via evil Weyland-Yutani Corporation.
Manhunter 1986 – This films does not add to the list count. Asian gambling symbol (not the Red Dragon symbol) associated with the psychopathic killer. The did a similar thing in the Sherlock (2010- ) TV Show and Heavy Rain (2010) video game.
Murder on the Orient Express 1974 – This film does not add to the list count. Associates The Orient with death and murder. (See: Sherlock [2010- , TV show], Heavy Rain [2010, video game], Manhunter [1986].) Note that this film is being re-made for 2017.

I’ve noticed that…

… A lot of the anti-Asian-male moments in films happen in the opening or closer to the beginning than the end.

One could interpret this as some kind of fulfillment of a quota before they get to the real important stuff. But it is more likely a side-effect of the marginalization of Asian men in the minds of the writers. Because as time goes on, every scene becomes more essential, and thus, the shitting on of Asian men becomes less prevalent. That’s why they move it into the beginning. They are placed nearer in the beginning, since their scenes are non-essential to the plot (but essential to the act of Western film-making in general). Later on in the movie, the main focus is on the main characters (non-Asians) and the entanglements with which they are involved.

So another rule of thumb, other than “Every film must shit on Asian men” is:

The probability of an Anti-Asian-Male moment occurring decreases as time goes on in the film. 

List of Anti-Asian-Male Films (Counted)

  1. Ghost in the Shell
  2. Get Out
  3. John Wick: Chapter 2
  4. Guardians
  5. xXx: Return of Xander Cage
  6. Spider-Man: Homecoming
  7. Resident Evil: The Final Chapter
  8. Kong: Skull Island
  9. Life
  10. King Arthur: Legend of the Sword
  11. Sandy Wexler
  12. Crazy Rich Asians
  13. Little America
  14. Ni’ihau
  15. Rogue One: A Star Wars Story
  16. Arrival
  17. Silence
  18. Deadpool
  19. Sausage Party
  20. Doctor Strange
  21. The Edge of Seventeen 
  22. Birth of the Dragon
  23. Hacksaw Ridge
  24. Come Together
  25. Now You See Me 2 
  26. Colossal
  27. Teenage Mutant Ninja Turtles: Out of the Shadows
  28. Suicide Squad
  29. Ride Along 2
  30. Office Christmas Party
  31. The Gate
  32. The Great Wall
  33. Magnificent 7
  34. War Dogs
  35. La La Land
  36. Central Intelligence
  37. The Asian Connection
  38. Paterson
  39. Popstar: Never Stop Never Stopping
  40. The Accountant
  41. Batman v Superman: Dawn of Justice
  42. Kickboxer: Vengeance
  43. Weiner
  44. Army of One
  45. Star Trek: Beyond
  46. Warcraft
  47. The Warrior’s Gate
  48. The Big Short
  49. Star Wars: Force Awakens
  50. Slow West
  51. Mission: Impossible – Rogue Nation
  52. Terminator Genisys 
  53. No Escape 
  54. Spectre
  55. Jurassic World
  56. Avengers: Age of Ultron
  57. Tom and Jerry: Spy Quest 
  58. Entourage
  59. Blackhat
  60. Focus
  61. Jurassic World
  62. Look Who’s Back
  63. Furious 7
  64. The Martian
  65. Creed
  66. The Invitation
  67. Ant-Man
  68. Power/Rangers
  69. The Duff
  70. Samurai Cop 2: Deadly Vengeance
  71. Minions
  72. 7 Days in Hell
  73. Genghis Khan Conquers the Moon
  74. Lucy
  75. Magic in the Moonlight
  76. Birdman
  77. X-Men: Days of Future Past
  78. Unbroken
  79. Edge of Tomorrow 
  80. The Interview
  81. 22 Jump Street
  82. John Wick
  83. Everly
  84. Captain America: The Winter Soldier
  85. Frank
  86. Revenge of the Green Dragons
  87. Bad Johnson
  88. Transformers: Age of Extinction
  89. Left Behind
  90. Seventh Son
  91. A Stranger in Paradise
  92. X+Y
  93. Tokyo Fiancée
  94. The Wolverine
  95. Kick-Ass 2
  96. Olympus Has Fallen
  97. Gravity
  98. Ninja: Shadow of a Tear 
  99. Make Your Move 
  100. Red 2
  101. 47 Ronin
  102. The Double
  103. About Time
  104. Unhung Hero
  105. Only God Forgives
  106. Iron Man 3
  107. The Hangover Part III
  108. Fast & Furious 6
  109. The Internship
  110. Dallas Buyers Club
  111. The Mortal Instruments: City of Bones
  112. G.I. Joe: Retaliation
  113. 21 & Over
  114. R.I.P.D.
  115. Rapture-Palooza
  116. Despicable Me 2
  117. Chink
  118. The Wolf of Wall Street
  119. Pacific Rim
  120. Maggie Simpson in: The Longest Daycare
  121. The Lost Medallion: The Adventures of Billy Stone
  122. The Walking Dead: A Hardcore Parody
  123. Monsters University
  124. Men in Black 3
  125. Ted
  126. Cloud Atlas
  127. Red Dawn
  128. Pitch Perfect
  129. Safe
  130. The Man with the Iron Fists
  131. Skyfall
  132. Prometheus
  133. The Dictator
  134. The Bourne Legacy
  135. Looper
  136. Total Recall
  137. The Master
  138. FDR: American Badass!
  139. The Detention of the Dead
  140. Branded
  141. Goon
  142. Grave Encounters 2
  143. John Dies at the End
  144. Real Steel 
  145. No Strings Attached
  146. Contagion 
  147. The Candidate 
  148. Cars 2
  149. The Tree ofLife
  150. Sherlock Holmes: A Game of Shadows
  151. Limitless
  152. The Hangover Part II
  153. Transformers: Dark of the Moon
  154. Drive
  155. Zookeeper
  156. Tinker Tailor Soldier Spy
  157. Sucker Punch
  158. Dirty Movie
  159. The Green Hornet
  160. Thor
  161. Inception
  162. Easy A
  163. Tomorrow, When the War Began
  164. She’s Out of My League
  165. The Karate Kid
  166. Fair Game
  167. TEKKEN
  168. Resident Evil: Afterlife
  169. Jonah Hex
  170. Furry Vengeance
  171. Black Dynamite
  172. (500) Days of Summer 
  173. Push
  174. The Hangover 
  175. The Goods: Live Hard, Sell Hard
  176. The Cove
  177. Up
  178. Dragonball Evolution
  179. G.I. Joe: The Rise of Cobra
  180. Crank: High Voltage
  181. The Twilight Saga: New Moon
  182. A Serious Man
  183. John Rabe
  184. Mao’s Last Dancer
  185. To Save A Life
  186. Hanger
  187. Superman/Batman: Public Enemies
  188. Good Hair
  189. Funny People
  190. Inglourious Basterds
  191. Watchmen
  192. Gran Torino
  193. Rambo
  194. Tropic Thunder
  195. The Day the Earth Stood Still
  196. Blindness
  197. 21 
  198. Iron Man
  199. Hancock
  200. The Dark Knight
  201. Street Kings
  202. Pineapple Express
  203. Twilight
  204. Bangkok Dangerous
  205. Sex and the City
  206. Blonde and Blonder
  207. Role Models
  208. The Forbidden Kingdom
  209. The Mummy: Tomb of the Dragon Emperor
  210. Get Smart
  211. Half-Life
  212. W. 
  213. Pirates of the Caribbean: At World’s End 
  214. I Now Pronounce You Chuck & Larry
  215. Balls of Fury
  216. The Number 23
  217. Disturbia
  218. Rush Hour 3
  219. Superbad
  220. Sunshine 
  221. War
  222. Norbit
  223. Ocean’s Thirteen
  224. American Gangster
  225. Hack!
  226. Boarding Gate
  227. Shanghai Baby
  228. Grindhouse
  229. The Departed
  230. Crank
  231. X-Men: The Last Stand
  232. Casino Royale
  233. The Fast and the Furious: Tokyo Drift
  234. Ultraviolet
  235. Scary Movie 4
  236. Teen Titans: Trouble in Tokyo
  237. Exit 38
  238. Razor Sharp
  239. Cloud 9
  240. The Cutting Edge: Going for Gold
  241. Thank You for Smoking
  242. Batman Begins
  243. Kicking & Screaming
  244. Elektra
  245. 3 Needles
  246. Faith of My Father
  247. Memoirs of a Geisha
  248. Constantine
  249. Hitch
  250. Little Fish
  251. Team America: World Police
  252. Crash
  253. Mean Girls
  254. Catwoman
  255. Collateral
  256. The Perfect Score
  257. C.S.A.: The Confederate States of America
  258. Ocean’s Twelve
  259. Sorry for Kung Fu
  260. The Stepford Wives
  261. Alfie
  262. The Manchurian Candidate
  263. Lost in Translation
  264. The Last Samurai
  265. Kill Bill: Vol. 1
  266. School of Rock
  267. The Matrix Reloaded
  268. Baywatch: Hawaiian Wedding
  269. The Matrix Revolutions
  270. Japanese Story
  271. Fear and Trembling
  272. The Transporter 
  273. Minority Report
  274. Confessions of a Dangerous Mind
  275. Gangs of New York
  276. Die Another Day
  277. Dirty Pretty Things
  278. Samouraïs
  279. The Quiet American
  280. Kung Pow! Enter the Fist
  281. Saving Silverman
  282. The Fast and the Furious
  283. Pearl Harbor
  284. How High
  285. Silent Force
  286. Rush Hour 2
  287. The Royal Tenenbaums
  288. Donnie Darko
  289. Ocean’s Eleven
  290. Romeo Must Die
  291. Art of War
  292. The Family Man
  293. Chain of Command
  294. Fight Club
  295. Eyes Wide Shut
  296. The Boondock Saints
  297. eXistenZ
  298. Bridge of Dragons
  299. Anna and the King
  300. The Corruptor
  301. Man on the Moon
  302. Star Wars: Episode I – A Phantom Menace
  303. Rush Hour
  304. Mulan
  305. Enemy of the State
  306. Lethal Weapon 4
  307. The Truman Show
  308. Meet Joe Black
  309. American History X
  310. Slappy and the Stinkers
  311. Pi
  312. Donnie Brasco
  313. Austin Powers: The International Man of Mystery
  314. Contact
  315. The Fifth Element
  316. Bloodsport III
  317. The Game
  318. Mortal Kombat: Annihilation
  319. Red Corner
  320. McHale’s Navy
  321. Seven Years in Tibet
  322. The Pest
  323. Fargo
  324. Danger Zone
  325. From Dusk Till Dawn
  326. Bloodsport II: The Next Kumite 
  327. The Phantom
  328. The Cable Guy
  329. Picture Bride
  330. The Usual Suspects
  331. Beyond Rangoon
  332. Strange Days
  333. Nixon
  334. La Senorita Lee
  335. Father of the Bride Part II
  336. The Hunted
  337. Casino
  338. Mortal Kombat
  339. Tank Girl
  340. Midnight Man
  341. Bad Company
  342. Thunder in Paradise 3
  343. Leon: The Professional
  344. The Seventh Floor
  345. Kickboxer 4: The Aggressor 
  346. Double Happiness
  347. The Shadow
  348. Pulp Fiction
  349. The Next Karate Kid
  350. Speed
  351. A Deadly Target
  352. Joy Luck Club
  353. Robocop 3
  354. Menace II Society
  355. Wayne’s World 2
  356. Rising Sun
  357. Falling Down
  358. Teenage Mutant Ninja Turtles III
  359. The Ballad of Little Jo
  360. Talons of the Eagle
  361. The Lover
  362. American Me
  363. Kickboxer 3: Art of War 
  364. Showdown in Little Tokyo
  365. Double Impact
  366. Samurai Cop
  367. A Thousand Pieces of Gold
  368. Father of the Bride 
  369. Kickboxer 2: The Road Back
  370. Teenage Mutant Ninja Turtles II: The Secret of the Ooze
  371. Mission of the Shark: The Saga of the U.S.S. Indianapolis
  372. Mystery Date
  373. Teenage Mutant Ninja Turtles
  374. Come See the Paradise
  375. Goodfellas
  376. Gremlins 2:The New Batch
  377. Jacob’s Ladder
  378. Tango and Cash
  379. License to Kill
  380. Kickboxer
  381. UHF
  382. Kinjite: Forbidden Subjects
  383. Gleaming the Cube
  384. Black Rain
  385. Do the Right Thing
  386. The Last Warrior
  387. The Vineyard
  388. The Karate Kid Part III
  389. Family Business
  390. Rambo: First Blood Part II
  391. Bloodsport
  392. Die Hard
  393. Braddock: Missing in Action III
  394. Bulletproof
  395. Twins
  396. Full Metal Jacket
  397. Revenge of the Nerds II: Nerds in Paradise
  398. Police Academy 4: Citizens on Patrol
  399. China Girl
  400. Good Morning, Vietnam
  401. Robocop
  402. Platoon
  403. Big Trouble in Little China
  404. Police Academy 3: Back in Training
  405. Kung Fu: The Movie
  406. The Karate Kid Part II
  407. The Golden Child
  408. Armed Response
  409. The Goonies
  410. Missing in Action 2: The Beginning
  411. Year of the Dragon
  412. Brazil
  413. Pray For Death
  414. Remo Williams: The Adventure Begins
  415. Sixteen Candles
  416. Indiana Jones and the Temple of Doom
  417. The Karate Kid
  418. Missing In Action
  419. Revenge of the Nerds
  420. Gremlins
  421. Once Upon a Time in America
  422. The Adventures of Buckaroo Banzai Across the 8th Dimension
  423. A Christmas Story
  424. Zelig
  425. Girls of the White Orchid
  426. High Road to China
  427. The Last Ninja
  428. Breathless
  429. WarGames
  430. Blade Runner
  431. First Blood
  432. The Year of Living Dangerously
  433. Conan the Barbarian
  434. Star Trek II: The Wrath of Khan
  435. Raiders of the Lost Ark
  436. Hardly Working
  437. Charlie Chan and the Curse of the Dragon Queen
  438. Thief 
  439. Flash Gordon
  440. The Fiendish Plot of Dr. Fu Manchu
  441. Airplane! 
  442. Apocalypse Now
  443. The Deer Hunter
  444. Revenge of Pink Panther
  445. The World’s Greatest Lover
  446. Close Encounters of the Third Kind
  447. Star Wars: Episode IV– A New Hope
  448. Network
  449. Murder by Death
  450. The Killing of a Chinese Bookie
  451. One of Our Dinosaurs is Missing
  452. Chinatown
  453. The Green Hornet
  454. The Bunny Caper
  455. The Man with the Golden Gun
  456. Lost Horizon
  457. The Carey Treatment
  458. McCabe & Mrs. Miller
  459. The Aristocats
  460. The Yin and the Yang of Mr. Go
  461. The Castle of Fu Manchu 
  462. The Blood of Fu Manchu 
  463. The Green Berets
  464. Rosemary’s Baby
  465. You Only Live Twice
  466. Belle de Jour
  467. The Vengeance of Fu Manchu
  468. Invasion 
  469. The Brides of Fu Manchu
  470. 7 Women
  471. The Great De Gaulle Stone Operation
  472. The Face of Fu Manchu
  473. The Return of Mr. Moto
  474. Genghis Khan
  475. Goldfinger
  476. 7 Faces of Dr. Lao 
  477. Dr. No
  478. The Manchurian Candidate
  479. Satan Never Sleeps
  480. Brushfire
  481. Majority of One
  482. Breakfast at Tiffany’s
  483. Flower Drum Song
  484. Terror of the Tongs
  485. The Mountain Road
  486. Five Gates of Hell
  487. The Inn of the Sixth Happiness
  488. The Bridge on the River Kwai
  489. China Gate
  490. Sayonara
  491. The Teahouse of the August Moon
  492. The Adventures of Dr. Fu Manchu
  493. The King and I
  494. The Conqueror
  495. Love is a Many-Splendored Thing
  496. Blood Alley
  497. The Left Hand of God
  498. Bad Day at Black Rock
  499. Three Came Home
  500. Tokyo Joe 
  501. The Black Widow
  502. Know Your Enemy: Japan
  503. First Yank in Tokyo
  504. The Red Dragon
  505. The Jade Mask
  506. Ziegfeld Follies
  507. Scarlet Clue
  508. Anna and the King of Siam
  509. Charlie Chan in the Secret Service
  510. Charlie Chan in the Chinese Cat
  511. Black Magic
  512. The Purple Heart
  513. The Dragon Seed
  514. Coal Black and the Sebben Dwarfs 
  515. Little Tokyo, U.S.A.
  516. Prisoner of Japan
  517. Shanghai Gesture
  518. Drums of Fu Manchu
  519. The Mystery of Mr. Wong
  520. Island of Lost Men
  521. Moto’s Last Warning
  522. Moto in Danger Island
  523. Moto Takes a Vacation
  524. Mysterious Mr. Moto
  525. Moto Takes a Chance
  526. Moto’s Gamble
  527. Think Fast, Mr. Moto
  528. Thank You, Mr. Moto
  529. The Good Earth
  530. San Francisco
  531. Limehouse Blues
  532. Mysterious Mr. Wong
  533. The Painted Veil
  534. The Bitter Tea of General Yen
  535. The Son of Kong
  536. The Mask of Fu Manchu
  537. Shanghai Express
  538. The Secrets of Wu Sin
  539. The Hatchet Man
  540. Daughter of the Dragon
  541. Chinatown After Dark
  542. The Return of Dr. Fu Manchu
  543. The Mysterious Mr. Fu Manchu
  544. Mr. Wu
  545. The Thief of Bagdad
  546. Broken Blossoms
  547. The Forbidden City
  548. Madame Butterfly
  549. The Cheat